Christopher Blossom — U.S. Frigate Congress on the California Coast - Canvas
Dim: 24 inches wide by 18 inches tall
Alan Bean — We Came in Peace for All Mankind - Giclee On Canvas Artist Proof
Dim: 18 X 24
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Alan Bean — This Beautiful Planet is Revolving Around the Three of Us - Giclee On Canvas
Dim: Height11 inxWidth 16 in
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Alan Bean — The Eagle is Headed Home - Giclee On Canvas Artist Proof
Dim: 24 inches wide by 16 inches tall
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Alan Bean — The Eagle is Headed Home - Canvas
Dim: 24 inches wide by 16 inches tall
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Alan Bean — Some Tools of Our Trade - Canvas
Dim: 11 inches wide by 12 inches tall
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Alan Bean — Painting Apollo First Artist on Another World COLLECTOR BOOK WITH - Canvas
Dim: 11 inches wide by 10 inches tall
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Alan Bean — Our World at My Fingertips - Giclee On Canvas Artist Proof
Dim: 24 X 17
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Alan Bean — Helping Hands - Artist Proof Lithograph
Dim: Height18.63 inxWidth 28 in
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Alan Bean — Is Anyone Out There Limited Edition Masterwork - Giclee On Canvas
Dim: 40 inches wide by 30 inches tall
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Alan Bean — HEAVENLY REFLECTIONS - Giclee On Paper
Dim: Image Size: 24 " X 13 5/8 "
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Alan Bean — CONRAD GORDON AND BEAN THE FANTASY - Giclee On Paper Artist Proof
Dim: 23 3/4 inches wide by 15 3/4 inches tall
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Alan Bean — Armstrong Heads Beyond the Boulders - Giclee On Canvas Artist Proof
Dim: 22 x 16
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Alan Bean — Apollo Moonscape An Explorer Artists Vision MASTERWORK EDITION - Giclee On Canvas
Dim: 40 inches wide by 13 inches tall
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Alan Bean — Apollo Moonscape An Explorer Artists Vision MASTERWORK EDITION - Giclee On Canvas Artist Proof
Dim: 40 inches wide by 13 inches tall
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Alan Bean — Apollo Moonscape An Explorer Artists Vision - Giclee On Paper Artist Proof
Dim: 35 inches wide by 14 inches tall
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Alan Bean — A Jewel in the Heavens - Giclee On Canvas Artist Proof
Dim: Height12 inxWidth 14 in
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Alan Bean — A Jewel in the Heavens - Giclee On Canvas
Dim: Height12 inxWidth 14 in
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James Bama — Chuck Wagon in the Snow - Giclee On Canvas Artist Proof
Dim: 15 inches wide by 13 inches tall
About Bonnie Marris
Bonnie Marris has taken an unusual path into art; she developed her talent by portraying animals "from the inside out." While she was a student at Michigan State University, Bonnie illustrated several major books. One volume she worked on was a leading expert s mammalogy text that contained several hundred drawings and detail studies. This massive project attracted the attention of noted zoologist George Schaller, who invited Bonnie to prepare the art for posters that would support his worldwide rare animal relief programs. Beyond academic training and emotional involvement, art requires another element for which there is no substitute: experience. Each year, Bonnie makes two major trips, and countless smaller ones, to observe and learn about the wildlife she loves. In 1980, one such voyage took her to Alaska, where she lived in the wilderness for six months. She recounts, "To get into a natural environment and see the animals on their own terms is as important as knowing the animals themselves. For instance, gray wolves on the tundra—the vast, vast tundra with the wind and other forces of nature at their most extreme—that s what makes them what they are. To stand not far from a grizzly that is so overpowering, so beautiful and so large . . . to watch it pull up a small tree with a swipe of its paw and just a few minutes later see it delicately picking blueberries with its black lips. . . Alaska changed me; it gave me the biggest incentive to paint and increased my interest in the predators: the cats, bears, coyotes, wolves and foxes. They exist on so many levels. Their moods show in their eyes and we can learn so much from them."