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$650.00
Editorial View
The Gallery's Perspective
There is a quiet wonder in the way this round, jewel-like Earth floats against a dark field—an image that reads like a personal postcard from space. The canvas shows the globe in richly saturated blues, with broad, tactile swaths of white cloud and a warm, sandy shape of land that anchors the composition. The paint handling feels immediate and human: you can sense the artist’s hand in the visible strokes and the slight variation of tones across the hemisphere, which gives the planet a luminous, breathing presence rather than a clinical photograph. Against the black background the sphere seems both fragile and resilient, a small, brightly colored world held in silence. For anyone drawn to moments of perspective and awe, this work brings that feeling into your room, turning an enormous idea—the sight of Earth from afar—into something intimate and quietly celebratory.
The Artwork
About A Jewel in the Heavens
A Jewel in the Heavens — Giclee On Canvas
A Jewel in the Heavens — Artist Proof Canvas - “We choose to go to the moon. We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win, and the others, too." - John F Kennedy, September 12, 1962
Astronaut and artist Alan Bean is not only the first artist to paint a world other than our Earth who actually went there, he is the first in history to paint our Earth after viewing it from space. His art’s significance as the original human interpretative record of man’s first off-world experience will only increase in its importance and value over time.
Those of us who were lucky enough to be alive during the Apollo program look at Bean’s art and share the stirring of emotion, pride and the sense of awe that we experienced as we lived through the fulfillment of President Kennedy’s challenge. The whole world (the artist’s “fellow earthlings”) can now look up at the moon in the night’s sky and know that human beings were once there looking back at us.
“Over the years I changed my profession from NASA astronaut to space artist,” says Alan Bean. “I have created several paintings of earth and in the years since the Apollo 12 mission, my astronaut eyes have gradually been replaced with artist eyes. I now see the Earth in my mind’s eye as much brighter than recorded by our cameras,” he says about "A Jewel in the Heavens," “and I paint the Earth in bolder colors now.” This Fine Art Giclee Canvas not only takes us off this Earth to look back upon it in the company of an Apollo astronaut, it is a ticket back to one of the most fulfilling times in our lives.
Collector Details
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About the Collection
Alan Bean, a former Apollo 12 astronaut, transformed his firsthand experience of space exploration into stunning fine art paintings. As the only artist to have walked on the Moon, his work captures the textured surface of the lunar landscape, often embedding real moon dust and mission patches into his canvases. His impressionistic space paintings bring the Apollo era to life, showcasing astronaut moonwalks, celestial landscapes, and cosmic exploration from a perspective no other artist can provide. His limited edition space prints and original paintings remain highly sought after by collectors of space history art, making Alan Bean a pioneer in astronaut-inspired fine art.
Image Rights
Image copyright © 2026 by Alan Bean.
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Authenticity & Documentation
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Captain Alan Bean was the lunar module pilot on Apollo 12, the fourth man to walk on the moon and commander of Skylab 2. "I am fortunate enough to have seen sights no other artist ever has," Bean says.
"I want my paintings to communicate an emotional experience in ways that photography cannot."
Captain Bean creates his original works of art using a unique technique allowing the viewer to actually sense vestiges of the 20th century s most dramatic accomplishments. Pressed into the canvas surfaces are Captain Bean s authentic lunar boot "moonprints," impressions from a core tube-bit used to collect soil samples and marks from a hammer used to drive the staff of the American flag into the moon s surface. Moon dust, trapped on the patches on the outside of his suit, makes its way onto each original as well.
Each print and canvas is an historical record of the lunar experience, as each is signed by moonwalker Captain Alan Bean, with most countersigned by other moonwalkers and astronauts.This may be your only chance to own such a visionary and historic celebration of man s greatest achievement. NASA was sometimes asked "Why not send an artist to the moon?" It turns out they did.
Alan Bean—Apollo XII astronaut, commander of Skylab II and artist—was born in 1932 in Wheeler, Texas. In 1950 he was selected for an NROTC scholarship at the University of Texas at Austin. In 1955, he was commissioned an ensign in the United States Navy. Holder of eleven world records in space and astronautics, as well as numerous national and international honors, Alan Bean has had a most distinguished peacetime career. His awards include two NASA Distinguished Service Medals, the Yuri Gagarin Gold Medal and the Robert J. Collier Trophy. As part of the Apollo XII crew, he became the fourth of only twelve men ever to walk on the Moon. As the spacecraft commander of Skylab Mission II, he set a world record: 24,400,000 miles traveled during the 59-day flight. He has also launched himself successfully into a new career as an artist. When he wasn t flying, Bean always enjoyed painting as a hobby. Attending night classes at St. Mary s College in Maryland in 1962, Alan experimented with landscapes. During training and between missions as a test pilot and astronaut, he continued private art lessons. On space voyages, his artist s eye and talent enabled him to document impressions of the Moon and space to be preserved later on canvas. His art reflects the attention to detail of the aeronautical engineer, the respect for the unknown of the astronaut and the unabashed appreciation of a skilled painter. The space program has seen unprecedented achievements and Bean realized that most of those who participated actively in this adventure would be gone in forty years. He knew that if any credible artistic impressions were to remain for future generations, he must paint them now. "My decision to resign from NASA in 1981 was based on the fact that I am fortunate enough to have seen sights no other artist ever has," Bean said, "and I hope to communicate these experiences through art." Bean s book Apollo: An Eyewitness Account which chronicles his first-person experience as an Apollo astronaut in words and paintings was received with critical and popular acclaim upon its publication in 1998.
Each print and canvas is an historical record of the lunar experience, as each is signed by moonwalker Captain Alan Bean, with most countersigned by other moonwalkers and astronauts.This may be your only chance to own such a visionary and historic celebration of man s greatest achievement. NASA was sometimes asked "Why not send an artist to the moon?" It turns out they did.
Alan Bean—Apollo XII astronaut, commander of Skylab II and artist—was born in 1932 in Wheeler, Texas. In 1950 he was selected for an NROTC scholarship at the University of Texas at Austin. In 1955, he was commissioned an ensign in the United States Navy. Holder of eleven world records in space and astronautics, as well as numerous national and international honors, Alan Bean has had a most distinguished peacetime career. His awards include two NASA Distinguished Service Medals, the Yuri Gagarin Gold Medal and the Robert J. Collier Trophy. As part of the Apollo XII crew, he became the fourth of only twelve men ever to walk on the Moon. As the spacecraft commander of Skylab Mission II, he set a world record: 24,400,000 miles traveled during the 59-day flight. He has also launched himself successfully into a new career as an artist. When he wasn t flying, Bean always enjoyed painting as a hobby. Attending night classes at St. Mary s College in Maryland in 1962, Alan experimented with landscapes. During training and between missions as a test pilot and astronaut, he continued private art lessons. On space voyages, his artist s eye and talent enabled him to document impressions of the Moon and space to be preserved later on canvas. His art reflects the attention to detail of the aeronautical engineer, the respect for the unknown of the astronaut and the unabashed appreciation of a skilled painter. The space program has seen unprecedented achievements and Bean realized that most of those who participated actively in this adventure would be gone in forty years. He knew that if any credible artistic impressions were to remain for future generations, he must paint them now. "My decision to resign from NASA in 1981 was based on the fact that I am fortunate enough to have seen sights no other artist ever has," Bean said, "and I hope to communicate these experiences through art." Bean s book Apollo: An Eyewitness Account which chronicles his first-person experience as an Apollo astronaut in words and paintings was received with critical and popular acclaim upon its publication in 1998.
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