Forest from the Trees
Master Works Edition On Canvas
48 inches wide by 40 inches tall
Master Works Edition On Canvas
48 inches wide by 40 inches tall
Giclee On Canvas Artist Proof
11 inches wide by 12 inches tall
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Giclee On Canvas Artist Proof
11 inches wide by 10 inches tall
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Giclee On Paper Artist Proof
29 inches wide by 16 inches tall
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Artist Proof Lithograph
Height11.63 inxWidth 18 in
Giclee On Canvas Artist Proof
28 inches wide by 22 inches tall
Canvas
30 inches wide by 20 inches tall
Giclee On Canvas Artist Proof
18 inches wide by 27 inches tall
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Artist Proof Lithograph
9 1/8 X 13 1/4
Giclee On Canvas Artist Proof
45 x 23
Giclee On Canvas Artist Proof
18 X 30
Giclee On Canvas Artist Proof
Image Size: 25"w x 32"h
Giclee On Canvas Artist Proof
33 inches wide by 26 inches tall
Canvas
18 inches wide by 24 inches tall
Giclee On Canvas Artist Proof
24 inches wide by 32 inches tall
Giclee On Canvas Artist Proof
24 inches wide by 12 inches tall
Giclee On Canvas Artist Proof
12 inches wide by 11 inches tall
Giclee On Canvas
55 1/2 X 55 1/2
Giclee On Canvas
27 3/4 X 27 3/4
Giclee On Canvas
27 3/4 X 27 3/S
Remembering Ken Auster It is with great sadness that we announce the death of our artist, Ken Auster. In his formative years in Long Beach, California, Ken grew up with his feet deeply planted in surf and sand. Caught up in the ground swell of the 1960s surfing culture, Ken plunged into both the sport and the art and graphics that came out of the new surfing craze. In the 1990s, Ken Auster moved into plein air painting, capturing immediate scenes in a painterly realist manner, but maintaining a strong graphic sensibility from his previous experience. The result was a painterly evocation of cityscapes, landscapes, interiors and, of course, beach scenes that have an uncommon graphic and geometric strength. In his own words, Ken described his art: “I’m really drawn to the irony of what I do. I love that juxtaposition of paintings you recognize from art history with everyday experiences. What I like to do is paint things a little more common, more everyday. They say if you are able to take something ugly and paint it beautifully, then you’ll have a beautiful painting and something a little beyond the obvious or what’s expected.” We will miss working with Ken, and cherish his work that we published.