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About Rollin Home

Rollin Home — Giclee On Canvas Artist Proof

Rollin Home - Rollin' home, rollin' home, at the light of the silvery moon. I'll be happy as a king, believe me, when I go rollin' home": These are the words of an Ol' English drinking ballad. Pete has just rolled Yankee Clipper "heads-up" relative to the north pole of the Earth, and Pete, Dick and I can now see planet Earth out our front windows. We are headed back home, and we all feel like kings. Except for a couple of lightning strikes during our launch, all has gone well. About 45 minutes ago, the service module engine again performed perfectly, increasing our speed 3,042 feet per second. This increased velocity moved us out of lunar orbit and sent us on the way back to our rendezvous with planet Earth some three days from now. It sure felt good when our rocket engine fired. We could not hear any noise, but the thrust banged us back into our couches and held us there for the entire two minute and eleven second burn. I always felt our crew was so well trained that we could fly the mission as planned. The question that crept into my mind from time to time was, "will our spacecraft continue to perform as it has been designed to do, or would something break?" We were flying in the most complex machine which was ever built. I knew every vehicle, every machine, fails eventually, the question is, when? Because of orbital mechanics, we had to perform the trans-Earth burn on the far side of the Moon. As a result, Mission Control, back on Earth, was not able to monitor our spacecraft systems as they could during other critical maneuvers. This was OK with us, but it was always preferable to have as many expert eyes as possible on our spacecraft. We had been heads down, with the moon at the top of our windows, for the burn. This allowed us to see the lunar horizon out our forward windows to ensure we were at the precise attitude. When the burn was complete, Pete pitched our spacecraft slightly so the we could look out the hatch window and see the Moon as we were leaving it. What an incredible sight. It looked to me like we were going straight up on the fastest elevator imaginable! After just a few minutes we could see the Moon as a big round gray ball outside the hatch window. It was magnificent, and we humans need it out there circling the Earth every 28 days. I read somewhere that our Moon not only helps light the night sky, the gravity of the moon acts as a gyroscope, keeping the earth's axis steady at 23.5 degrees. This stability has given life a chance to arise amidst a cycle of regular seasonal changes.

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About the Collection

Alan Bean, a former Apollo 12 astronaut, transformed his firsthand experience of space exploration into stunning fine art paintings. As the only artist to have walked on the Moon, his work captures the textured surface of the lunar landscape, often embedding real moon dust and mission patches into his canvases. His impressionistic space paintings bring the Apollo era to life, showcasing astronaut moonwalks, celestial landscapes, and cosmic exploration from a perspective no other artist can provide. His limited edition space prints and original paintings remain highly sought after by collectors of space history art, making Alan Bean a pioneer in astronaut-inspired fine art.

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Image copyright © 2026 by Alan Bean.

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Alan Bean

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Captain Alan Bean was the lunar module pilot on Apollo 12, the fourth man to walk on the moon and commander of Skylab 2. "I am fortunate enough to have seen sights no other artist ever has," Bean says. "I want my paintings to communicate an emotional experience in ways that photography cannot." Captain Bean creates his original works of art using a unique technique allowing the viewer to actually sense vestiges of the 20th century s most dramatic accomplishments. Pressed into the canvas surfaces are Captain Bean s authentic lunar boot "moonprints," impressions from a core tube-bit used to collect soil samples and marks from a hammer used to drive the staff of the American flag into the moon s surface. Moon dust, trapped on the patches on the outside of his suit, makes its way onto each original as well.

Each print and canvas is an historical record of the lunar experience, as each is signed by moonwalker Captain Alan Bean, with most countersigned by other moonwalkers and astronauts.This may be your only chance to own such a visionary and historic celebration of man s greatest achievement. NASA was sometimes asked "Why not send an artist to the moon?" It turns out they did.

Alan Bean—Apollo XII astronaut, commander of Skylab II and artist—was born in 1932 in Wheeler, Texas. In 1950 he was selected for an NROTC scholarship at the University of Texas at Austin. In 1955, he was commissioned an ensign in the United States Navy. Holder of eleven world records in space and astronautics, as well as numerous national and international honors, Alan Bean has had a most distinguished peacetime career. His awards include two NASA Distinguished Service Medals, the Yuri Gagarin Gold Medal and the Robert J. Collier Trophy. As part of the Apollo XII crew, he became the fourth of only twelve men ever to walk on the Moon. As the spacecraft commander of Skylab Mission II, he set a world record: 24,400,000 miles traveled during the 59-day flight. He has also launched himself successfully into a new career as an artist. When he wasn t flying, Bean always enjoyed painting as a hobby. Attending night classes at St. Mary s College in Maryland in 1962, Alan experimented with landscapes. During training and between missions as a test pilot and astronaut, he continued private art lessons. On space voyages, his artist s eye and talent enabled him to document impressions of the Moon and space to be preserved later on canvas. His art reflects the attention to detail of the aeronautical engineer, the respect for the unknown of the astronaut and the unabashed appreciation of a skilled painter. The space program has seen unprecedented achievements and Bean realized that most of those who participated actively in this adventure would be gone in forty years. He knew that if any credible artistic impressions were to remain for future generations, he must paint them now. "My decision to resign from NASA in 1981 was based on the fact that I am fortunate enough to have seen sights no other artist ever has," Bean said, "and I hope to communicate these experiences through art." Bean s book Apollo: An Eyewitness Account which chronicles his first-person experience as an Apollo astronaut in words and paintings was received with critical and popular acclaim upon its publication in 1998.

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