Thomas Blackshear 1988 Wizard Of Oz We're Off To See The Wizard Plate
Status: In Stock Available (Rare Item) | Condition: New | Edition:Limited Edition Plate | Edition Size: n/a | Dim:8.5" | Thomas Blackshear| Item #: 900017
Price: $ 210.00 USD..
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available (Rare Item)
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Blending elegant realism with powerful cultural narratives, each piece of fine art captures deep emotion and storytelling through masterful artistic craftsmanship. Expressive figurative art and collectible limited-edition sculptures showcase dynamic compositions rich in symbolism, highlighting themes of spirituality, history, and heritage. With dramatic lighting and intricate detail, these works bring soulful and evocative imagery to life, reflecting both modern and classical influences. Emotional depth and movement are conveyed through sculpted forms and richly textured surfaces, making each piece a testament to the power of storytelling in fine art. Whether exploring historical significance or celebrating cultural heritage, these artworks stand as timeless tributes to tradition, resilience, and artistic excellence.
This Collectors Plate was issued in 1988 through The Hamilton Collection. This plate is the first issue of eight in the " Wizard of Oz Commemorative Plate Collection" by artist Thomas Blackshear. Edition size was limited to 14 firing days and this is hand - 900017
NOTES: .
1988 Wizard Of Oz We're Off To See The Wizard Plate by Thomas Blackshear is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Thomas Blackshear
Thomas Blackshear bio
THOMAS BLACKSHEAR II, the son of an Air Force captain, was born in Waco, Texas, and grew up in Atlanta, Georgia. "Drawing was all I ever liked to do," he says. "While all the other guys were playing baseball or basketball, I was in my house, drawing." He pursued an interest in art throughout high school, securing a scholarship to the Art Institute of Chicago. After a year there, he transferred to the nearby Academy of Art. While finishing his college education, he was recruited by Hallmark Cards and later became the apprentice of illustrator Mark English.
Blackshear settled in Kansas City, where he became head illustrator at the prestigious Godbold/Richter Studio. A year later, he began a prosperous freelance career, illustrating many advertisements, several U.S. Postal Service stamp collections - one called "Black Heritage," another on classic movies, and a third on jazz musicians - and several series of Hamilton Group collector s plates featuring scenes from Star Wars, Star Trek, and The Wizard of Oz. Although he was successful, he was dissatisfied and decided to pursue a career in fine art.
Blackshear has received many awards for his artwork, including the Society of Illustrators coveted Gold Medal. He was profiled on The Living Canvas, an art magazine of the airwaves that was shown on public television, and he has been featured on the Ebony/Jet Showcase and The 700 Club, and in The Saturday Evening Post. An exhibit of his original works for the Black Heritage stamp series premiered in 1992 at the Smithsonian s National Museum of American History and subsequently toured the United States.
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