Sabzi Poetic Mystery 4 Giclee On Canvas
Status: In Stock Only 1 Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition of #29 of 80 | Dim:10 x 8 | Sabzi| Item #: CEPOETICM
Price: $ 995.00 USD..
9/17/2025 $331.67 1st payment
10/17/2025 $331.67 2nd payment
11/16/2025 $331.67 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Only 1 Available
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Sabzi Poetic Mystery 4 Giclee On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $331.67 made every 30 days over a period of three months. US & Canada orders only.
Blending contemporary figurative art with romantic and poetic expression, these vibrant impressionist paintings showcase graceful female portraits infused with emotion and depth. Featuring rich colors, soft yet dynamic brushwork, and layered artistic textures, each piece evokes a dreamlike storytelling experience that is both delicate and powerful. With influences from Persian-inspired fine art, these works capture timeless femininity through fluid compositions and luminous artistic expression. Whether portraying abstract realism or expressive mixed media techniques, these paintings create a visually striking and emotionally resonant connection with the viewer. Designed for collectors who appreciate modern figurative art with a romantic and elegant aesthetic, these works celebrate the beauty, mystery, and spirit of the human form.
Poetic Mystery #4 - CEPOETICM
NOTES: Gallery Wrapped
Year of Publication 2007.
Poetic Mystery 4 Giclee On Canvas by Sabzi is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Sabzi
Sabzi bio
Born in Ahwaz, Iran, Sabzi started painting at the age of twelve; encouraged in his early progression as an artist by his parents and inspiring teachers. He earned a Bachelor of Science in Agricultural Engineering at the University of Jundi Shapur. "The best part of agriculture was the purity of its primal spaces," he says, explaining his early sensitivity to artistic concepts. Sabzi's early works were primarily realistic, exploring the historical and cultural themes of his homeland. His departure from Iran during the Khomeini regime brought him to Germany and then the United States. This exile provided him the opportunity to explore new artistic influences, and he began to work in abstract and figurative styles. Sabzi's subjects are almost always women – beautiful, graceful, taciturn and melancholy; they reflect love, mystery and solitude. His women are Madonnas, modern goddesses and martyred saints whose elongated forms suggest instability and internal conflict. According to Sabzi, their anonymous faces make them into religious icons that transcend and defy the demands of reality; reflecting warmth, charm, happiness, and his undisputed love and admiration for women. His paintings resonates both Eastern and Western philosophies. His rich Persian heritage provides him with ancient images, sentimental Persian themes and memories of innocence. He draws from the Western influence of modernism found in the works of Klee, Cezanne, Matisse and Bonnard. His debt to modernism, especially to Matisse, is irrefutable. Earthy hues of pale greens, yellows, purples and reds illuminate the settings and inspire the forms with unique inner vibrations. Though schematic, the treatment of the human face as luminous geometric planes is a profound statement of the artist's quest for spirituality. Sabzi goes beyond Matisse and creates spatially-revolving, post-modern worlds. Images reflected in mirrors assume a life of their own. The effect is a powerful multiplicity of emotional representation. Here the fantastic is treated as ordinary and the rich fabrics of the paintings resonate intimacy. An accomplished abstract painter, Sabzi's passion for the spiritual is represented in the open spaces, symbolism and intricate patterns that make up the backgrounds of his compositions. Juxtaposing the complex feelings, body language and attitudes of his predominantly female figures against a backdrop of shapes and forms in space, Sabzi uses texture, lines and color to make artistic statements about love and beauty.
