Judy Larson A TIME TO HEAL Lithograph

Name: Judy Larson A TIME TO HEAL Limited Edition
Brand: Judy Larson
SKU: JL00016
Price: 245 USD
Availability: InStock
Rating: 5 (3 reviews)

Price: $ 245.00 USD..

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Art Terminologies

Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques

Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.

Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.

Remarque – Additional enhancements by the artist on some or all of the final prints within an edition

Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.

“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.

Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.

Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.

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Judy Larson's contemporary portraiture blends abstract portrait art with emotional expression, offering a unique approach to figurative abstraction. Her mixed media portraiture captures the essence of the human form through vibrant color, textured paintings, and dynamic compositions. Larson's work delves into the psychological depth of her subjects, creating psychological portraits that speak to the viewer on a personal and emotive level. Through her use of expressive color and innovative techniques, she explores the complexity of human identity and emotion, turning the traditional portrait into a modern, conceptual work of art. Her modern figurative art invites viewers to explore the intersection of color, texture, and form in powerful visual narratives.

A TIME TO HEAL - JL00016

NOTES: The old, traditional ways of wolfing had seriously reduced wolf populations, even more barbaric forms of annihilating wolves were instituted. The "loop" refers not to a device designed to ensnare adult wolves but to trap and hand up living pups while the adult pack was away from the den in the nighttime hunt. Made of wire and spring-loaded hooks, the long trap offered tempting bits of meat to the unsuspecting pups. As they were caught, the strangling youngsters struggled and cried out in pain and panic, but their mother could do nothing but lick them and try to comfort them. When the pack members returned a dawn, each was gunned down until all the adults had been killed. Only then did the wolfer step in to kill the pups as well, effectively wiping out an entire family. An ancient Indian story says that the spirits of all the slaughtered wolves of this vast land have gathered at a distant mountaintop, awaiting the time when they can safely return to roam the land they love. For much of our country this time has not come, but hope remains that what has happened over the last few years on the tribal lands of the Nez Perce can one day occur throughout our great land. The Nez Perce have long been admired for their skill in horsemanship and their ability to breed exception horses, known today as Appaloosas. These spotted horses were not only born with good "medicine" that would keep their owners safe in battle, but they were also sure-footed, strong, healthy and easy to train. In 1805, as Meriwether Lewis and William Clark passed through the Nez Perce territory, the beauty and uniqueness of the spotted horses amazed them. In an effort to destroy the spirit of the Nez Perce, the government had hit upon one of the most potent means possible: the killing of the People"s beloved horses. By 1900, fewer than three hundred Appaloosa horses remained in the United States. For the Nez Perce, the Appaloosa and the wolf, the government"s penchant for control of people and nature came close to forcing their extinction. But a few years ago, the Nez Perce ushered in a time of healing "”one which offers potential for changing our ideas and ourselves "” by welcoming to its tribal lands in Winchester, Idaho, a pack of wolves raised in captivity, formerly known as "The Sawtooth Pack." The famous pack, first introduced to the public in the documentary "Wolves at Our Door," is at home again on the land that its ancestors once shared with the native people. This time, however, the eleven "Wolves of the Nez Perce" play different roles: as ambassadors for their wild brothers and sisters. The mission of the accompanying Wolf Education and Research Center is to promote awareness of wolves and to learn through education for the purpose of co-existing with them. Visitors are provided with a rare opportunity to experience the wonder of wolves in a natural setting and to partner in this mission with the Nez Perce, a native people rich in culture, history and ecological understanding. Now, more than ever, it is a time to heal..

A TIME TO HEAL Lithograph by Judy Larson is signed by the artist and comes with a certificate of authenticity.

Judy Larson bio

Judy Larson always knew she was going to be an artist. She was surrounded by them as a child, and was particularly inspired by her father, a professional illustrator. Judy received a Bachelor of Science degree in Commercial Art from Pacific Union College in Northern California, then spent the next 17 years as a commercial artist, illustrator and art director. In 1988, influenced by her love of nature and animals, Judy devoted her time to wildlife art. Her primary focus in each of her paintings is the animal, with the horse as a recurring subject. Her unique approach to her work is through the use of scratch board--a technique that can render magnificent detail but one requiring infinite patience. Scratch board, an old, but little used medium, consists of a smooth, thin surface of hardened China clay applied to a board. The subject is then painted solidly with black India ink to create a silhouette. Now the exacting work begins, engraving the image into the surface of the artwork. While many artists use steel nibs or engraving tools, Judy prefers to work with X-acto blades, changing them ever few minutes to produce as fine a line as possible. Once the subject has been totally scratched, it is a finished black and white illustration, ready for the artist to add color. The methods of adding color are diverse. Judy prefers a combination of airbrush, gouache or acrylics for finishing, with frequent rescratching for detail. Scratch board is a demanding medium, one that Judy has used masterfully in developing her unique approach to wildlife art.