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About Maxfields Garden

Maxfield&#180;s Garden<br> LIMITED EDITION CANVAS

The first year of a foal’s life is essential to its development into a strong and healthy adult horse. For the first few months, the mare will devote her energy to protecting her foal from predators and the elements and from other curious horses in the herd. After three months or so the mare will assume the role of teacher for her foal. By carefully observing its mother’s behavior, the foal will gain a gentle introduction to finding food and water, recognizing danger and social dynamics within the herd. Like a human mother, the mare assesses her foal’s needs and provides for them with a tenderness that touches the heart.

Bonnie Marris’ wildlife family scenes echo human experiences that are both beautiful and universal. Like Queen Anne’s Lace, her popular mother-and-foal scene, Maxfield’s Garden is a sweet tribute to the most perfect bond of all.

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About the Collection

Bonnie Marris is a renowned wildlife artist, celebrated for her vivid and lifelike portrayals of animals in their natural habitats. Her work captures the spirit of North American wildlife, from majestic wolves and powerful horses to the untamed beauty of the wilderness. As a leading equine artist, she brings realism and emotion to her nature-inspired paintings, highlighting the connection between wildlife and the natural world. With a keen eye for detail and a deep appreciation for animals, Marris' fine art paintings are treasured by collectors of contemporary nature art

Artist Signature Signed by the artist

This piece is artist signed and includes a Certificate of Authenticity.

Image Rights

Image copyright © 2026 by Bonnie Marris.

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Bonnie Marris

View all work by Bonnie Marris
Bonnie Marris has taken an unusual path into art; she developed her talent by portraying animals "from the inside out." While she was a student at Michigan State University, Bonnie illustrated several major books. One volume she worked on was a leading expert s mammalogy text that contained several hundred drawings and detail studies. This massive project attracted the attention of noted zoologist George Schaller, who invited Bonnie to prepare the art for posters that would support his worldwide rare animal relief programs. Beyond academic training and emotional involvement, art requires another element for which there is no substitute: experience. Each year, Bonnie makes two major trips, and countless smaller ones, to observe and learn about the wildlife she loves. In 1980, one such voyage took her to Alaska, where she lived in the wilderness for six months. She recounts, "To get into a natural environment and see the animals on their own terms is as important as knowing the animals themselves. For instance, gray wolves on the tundra—the vast, vast tundra with the wind and other forces of nature at their most extreme—that s what makes them what they are. To stand not far from a grizzly that is so overpowering, so beautiful and so large . . . to watch it pull up a small tree with a swipe of its paw and just a few minutes later see it delicately picking blueberries with its black lips. . . Alaska changed me; it gave me the biggest incentive to paint and increased my interest in the predators: the cats, bears, coyotes, wolves and foxes. They exist on so many levels. Their moods show in their eyes and we can learn so much from them."

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