His Property by Andrew Denman — Canvas
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Andrew Denman His Property Canvas

Status: In Stock Available | Condition: New | Edition:Limited Edition Canvas | Edition Size: Limited Edition Of 75 | Dim:20 inches wide by 16 inches tall | Andrew Denman| Item #: AD00005

Price: $ 325.00 USD..

In Store Layaway Option Schedule

9/27/2025  $108.33 1st payment
10/27/2025  $108.33 2nd payment
11/26/2025  $108.33 3rd & final payment
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Available for purchase today, September  27, 2025 No Sales Tax Except In The State Of Florida. All products are shipped from our US Warehouses. For U.S. & Canadian Customers We accept Visa, MasterCard, Amex , Discover

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Art Terminologies

Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques

Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.

Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.

Remarque – Additional enhancements by the artist on some or all of the final prints within an edition

Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.

“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.

Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.

Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.

… learn more Click here for more Art Terms

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Status: In Stock Available

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Andrew Denman His Property  Canvas is eligible for 3 equal layaway payments in store, with a credit card of $108.33 made every 30 days over a period of three months. US & Canada orders only.

His Property
LIMITED EDITION CANVAS - AD00005

NOTES: “'His Property' began on a drive near Tahoe, CA, where I observed a large Golden Eagle dismantling prey by the side of the highway,” begins artist Andrew Denman. “He held his great, outstretched wings defensively over his meal¯what it was exactly, I couldn’t tell¯and stared down at it with a propriety gaze that claimed, in no uncertain terms, that this was his property.

Over a year later, a friend who runs Native Bird Connections, a local raptor rescue center, introduced me to a Golden Eagle up close and personal. A wing fracture made it impossible for him to be re-released, but from where I stood, he’d lost none of his grandeur. Huge, impressive and intimidating, he was none-the-less nervous around a stranger but when he calmed down, he perched on his trainer’s arm with an elegance and poise that was unforgettable. At one point he looked piercingly down at the ground, accentuating his beautiful but severe profile; this pose, elegantly lit from behind to show his glorious mane of golden feathers, reminded me of the encounter I’d had with the Golden Eagle in the wild and my painting His Property was born. I painted him considerably larger than life-size to capture his domineering presence, and I “framed” him in a simple, dramatic, non-objective space to present him with the uncluttered, iconic clarity he deserved.”

It’s already been an active year for Denman and the fall holds back-to-back exhibitions and juried shows. He and artist Guy Combes just returned to the United States from a successful joint exhibition in Gloucestershire, England, “Old World – New World,” which ran from August 7-26. Andrew will be in Vancouver for the Artists for Conservation Show exhibiting and teaching a workshop and in Jackson Hole for the Western Visions 2012 Show & Sale. His work is also at the Hiram Blauvelt Art Museum in New Jersey for the 52nd Annual Art and the Animal Exhibition of the Society of Animal Artists(premiered September 1). Denman is a visionary wildlife artist who belongs in your collection..

His Property  Canvas by Andrew Denman  is signed by the artist and comes with a certificate of authenticity.

image Copyright © 2025 by Andrew Denman

Andrew Denman bio

"In the increasingly crowded field of wildlife artists, Andrew Denman stands out for his distinctive look in addition to his masterful painting skill," writes veteran art writer and magazine editor Jennifer King in a 2008 editorial for Create Better Paintings.com. Denman is an artist known for capturing diverse subjects, from wildlife, to landscape, to still life, in an equally diverse range of styles. His recent work focuses on intimate wildlife portraits and scenes approached with a unique combination of hyper-realism, stylization and abstraction.

Denman holds a BA in Fine Arts from Saint Mary s College in Moraga, CA. He is well known in the San Francisco Bay Area as both an artist and teacher, and he has gained national attention through major gallery showings, numerous museum exhibitions, artist workshops and speaking engagements as well as feature coverage in such publications as Southwest Art, American Artist, Western Art Collector, Wildlife Art and The Artist s Magazine, among others.

Born in 1978, the Bay Area native showed a great degree of interest in art from an early age. Denman organized his first one man show in high school at a local library and soon after began participating in exhibitions with Pacific Wildlife Galleries in Lafayette, CA, where he went on to hold four successful solo exhibitions. Denman is currently represented by Trailside Galleries in Jackson, WY, and maintains Denman Studios at his home.

His work has toured nationally with Birds in Art and the Society of Animal Artists, which has thrice honored Andrew s work with Awards of Excellence. The artist is a regular participant in the highly competitive Western Visions Miniatures and More Exhibition and Sale at the National Museum of Wildlife Art in Jackson, Wyoming, an institution that named him the Lanford Monroe Memorial Artist in Residence for Winter of 2009. Denman s work can be found in the National Museum of Wildlife Art and The Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin, and numerous private collections across the country. The artist is a member of the Society of Animal Artists, NY, The International Guild of Realism, Arizona, and Artists for Conservation, Canada.

Whether painting an animal in its natural habitat or juxtaposing it against an abstract background, Denman goes to great lengths to faithfully portray his subjects, taking frequent field trips to nature areas, parks and zoos to observe his subjects and acquire reference material. Yet while accuracy is always of great importance, Denman is an artist before he is a naturalist. The sense of fearless experimentation and originality he brings to his paintings testifies to the artist s true focus. As Mary Nelson writes in the Nov/Dec 2004 issue of Wildlife Art magazine, "In the end, it s not the mood, the meaning or the method that Denman craves. It is the medium―art."