The Collection Shop Limited Edition Art

1-800-413-4ART (4278) USA & CANADA - Toll Free

A value is required.Minimum number of characters not met.Exceeded maximum number of characters.

DC COMICS





Looking back, it makes perfect sense that Alex Ross would become one of the world s most pre-eminent and well-respected comic book artists. It s a job he s been preparing for nearly all his life. Born in Portland, Oregon, and raised in Lubbock, Texas, Alex made his artistic debut at three when, according to his mother, he grabbed a piece of paper and drew the contents of a television commercial he d seen moments before. Ross came from an artistic family: his mother was a commercial artist and his grandfather, he recalls, "built working wooden toys and loved drawing." When Ross discovered Spider-Man on an episode of The Electric Company, his life was changed forever. "I just fell in love with the notion that there were colorful characters like this, performing good, sometimes fantastic deeds," Ross says. "I guess I knew this was what I wanted to do. I wanted to bring these characters to life." Some cynics might confuse this attitude with escapism. For Ross, it s just the opposite. "It s a fun environment to be in," he admits. "Superheroes are a mixture of every form of fiction – myth , science-fiction, mystery and magic – all in one giant pot. The best characters embody virtues we may try to find in ourselves." Ross is quick to credit his father Clark, a minister, with laying the moral framework that allowed him to appreciate the routinely good deeds performed by the likes of Superman and Spider-Man. "My dad has given aid -- physical aid, not just financial -- to a number of charities and causes. He s helped at homeless shelters. He used to run a children s shelter...Read More

HANNA BARBERA





Hanna-Barbera Productions, Inc. (simply known as Hanna-Barbera and also referred to as H-B Enterprises, H-B Production Company and Hanna-Barbera Cartoons) was an American animation studio that dominated American television animation for nearly four decades in the mid-to-late 20th century. It was formed in 1957 by former Metro-Goldwyn-Mayer animation directors William Hanna and Joseph Barbera (creators of Tom and Jerry) and live-action director George Sidney in partnership with Columbia Pictures' Screen Gems television division. The company was sold to Taft Broadcasting in late 1966, and spent the next two decades as a subsidiary of the parent and its successors. Hanna-Barbera was known not only for its vast variety of series and characters, but for building upon and popularizing the concepts and uses of limited animation. For over thirty years, Hanna-Barbera produced many successful animated shows, including The Flintstones, Yogi Bear, The Jetsons, Scooby-Doo and The Smurfs. In addition to winning seven Oscars, Hanna and Barbera won eight Emmy Awards,a Golden Globe Award, and a star on the Hollywood Walk of Fame, among other merits. The company's fortunes declined in the mid-eighties after the profitability of Saturday morning cartoons was eclipsed by weekday afternoon syndication. Hanna-Barbera was purchased from Taft (by then named Great American Broadcasting) in late 1991 by Turner Broadcasting System, who used much of its back catalog to program its new channel, Cartoon Network.Read More

LOONEY TUNES





In a career spanning over 60 years, Jones made more than 300 animated films, winning three Oscars as director and in 1996 an honorary Oscar for Lifetime Achievement. Among the many awards and recognitions, one of those most valued was the honorary life membership from the Directors Guild of America. During the Golden Age of animation Jones helped bring to life many of Warner Bros. most famous characters—Bugs Bunny, Daffy Duck, Elmer Fudd and Porky Pig. The list of characters he created himself includes Road Runner, Wile E. Coyote, Marvin Martian, Pepe le Pew, Michigan J. Frog and many others. He also produced, directed and wrote the screenplays for "Dr. Seuss How the Grinch Stole Christmas," a television classic, as well as the feature-length film "The Phantom Tollbooth." In addition, Jones was a prolific artist whose work has been exhibited at galleries and museums worldwide. Jones often recalled a small child who, when told that Jones drew Bugs Bunny, replied: "He doesn t draw Bugs Bunny. He draws pictures of Bugs Bunny." His point was that the child thought of the character as being alive and believable, which was, in Jones belief, the key to true character animation. Born on September 21, 1912 in Spokane, Washington, Jones grew up in Hollywood where he observed the talents of Charlie Chaplin and Buster Keaton and worked occasionally as a child extra in Mac Sennett comedies. After graduating from Chouinard Art Institute in Los Angeles (now California Institute of the Arts) Jones drew pencil portraits for a dollar a piece on Olvera Street. Then, in 1932, he got...Read More

HARRY POTTER





Norman Stuart Craig OBE (born 14 April 1942) is a noted British production designer. He has also designed the sets, together with his frequent collaborator set decorator, the late Stephenie McMillan, on all of the Harry Potter films to date. At Potter author J. K. Rowling's request, he worked with Universal Creative team to design the Wizarding World of Harry Potter at Universal's Islands of Adventure theme park. Rowling said in a December 2007 interview on the Potter podcast PotterCast, "The key thing for me was that, if there was to be a theme park, that Stuart Craig … would be involved. … More than involved, that he would pretty much design it. Because I love the look of the films; they really mirror what s been in my imagination for all these years". He has been nominated for 10 Academy Awards, and has won three: in 1982 for Gandhi, in 1988 for Dangerous Liaisons, and in 1996 for The English Patient. He has been nominated for a BAFTA award fourteen times, including for first six and last Potter film, and has won twice: in 1980 for The Elephant Man and in 2005 for Harry Potter and the Goblet of Fire. Stuart Craig has been nominated for a BAFTA Award for consecutive six films in a row, viz. for consecutive first six Harry Potter films. For his work on The English Patient, Harry Potter and the Philosopher's Stone, Harry Potter and Order of the Phoenix, Harry Potter and the Half-Blood Prince, and Harry Potter and the Deathly Hallows Part 1 and Part 2, Craig was nominated for an Art Directors Guild award and won the same for The English Patient and Harry Potter...Read More

THE WIZARD OF OZ





Looking back, it makes perfect sense that Alex Ross would become one of the world s most pre-eminent and well-respected comic book artists. It s a job he s been preparing for nearly all his life. Born in Portland, Oregon, and raised in Lubbock, Texas, Alex made his artistic debut at three when, according to his mother, he grabbed a piece of paper and drew the contents of a television commercial he d seen moments before. Ross came from an artistic family: his mother was a commercial artist and his grandfather, he recalls, "built working wooden toys and loved drawing." When Ross discovered Spider-Man on an episode of The Electric Company, his life was changed forever. "I just fell in love with the notion that there were colorful characters like this, performing good, sometimes fantastic deeds," Ross says. "I guess I knew this was what I wanted to do. I wanted to bring these characters to life." Some cynics might confuse this attitude with escapism. For Ross, it s just the opposite. "It s a fun environment to be in," he admits. "Superheroes are a mixture of every form of fiction – myth , science-fiction, mystery and magic – all in one giant pot. The best characters embody virtues we may try to find in ourselves." Ross is quick to credit his father Clark, a minister, with laying the moral framework that allowed him to appreciate the routinely good deeds performed by the likes of Superman and Spider-Man. "My dad has given aid -- physical aid, not just financial -- to a number of charities and causes. He s helped at homeless shelters. He used to run a children s shelter...Read More

IRON GIANT





Phillip Bradley "Brad" Bird (born September 24, 1957) is an American film director, producer, screenwriter, and actor, who began his career as an animator. Bird developed a love for the art of animation at an early age and was mentored by Milt Kahl, one of Disney's legendary Nine Old Men. He was part of one of the earliest graduating classes of the California Institute of the Arts alongside John Lasseter and Tim Burton. Afterwards, Bird worked as an animator for Disney and wrote the screenplay for Batteries Not Included (1987). Bird served as a creative consultant on The Simpsons during its first eight seasons, where he helped develop the show's animation style. Afterwards, Bird left to direct his first animated feature, The Iron Giant (1999), which fared poorly at the box office but came to be regarded as a modern animated classic. He rejoined Lasseter at Pixar in 2000, where he would develop his second picture, The Incredibles (2004), and his third picture, Ratatouille (2007). Both films place among Pixar's highest-grossing features and gave Bird two Academy Award for Best Animated Feature wins and Academy Award for Best Original Screenplay nominations. In 2011, Bird transitioned to live-action filmmaking with Mission: Impossible – Ghost Protocol, which became the highest-grossing of its franchise. His latest film, Tomorrowland, starring George Clooney, was released in May 2015.Read More

---

Warner Brothers Listing