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Simone Bianchi was born and lives in Italy. After working for the European market for several years, he did art for the DC miniseries, SHINING KNIGHT. He then created covers for a number of DC series, including GREEN LANTERN, BATMAN and DETECTIVE COMICS, and the interior pages for GREEN LANTERN #6. Since 2006 he works exclusively for MARVEL on title such as: WOLVERINE, ASTONISHING X-MEN, THOR: FOR ASGARD, UNCANNY X-FORCE, THANOS RISING, NEW AVENGERS, THOR AND LOKI THE TENTH REALM. For Marvel he has redesigned the X-Men official costumes. His works have been exposed at the Galérie du 9eme Art in Paris, at the Chuck Jones Gallery in San Diego (CA), at the Museo d Arte contemporanea in Perugia (Italy), at the Cart Gallery in the Historical Center of Rome (Italy) and at the Danese/Corey gallery in New York.Read More


Hanna-Barbera Productions, Inc. (simply known as Hanna-Barbera and also referred to as H-B Enterprises, H-B Production Company and Hanna-Barbera Cartoons) was an American animation studio that dominated American television animation for nearly four decades in the mid-to-late 20th century. It was formed in 1957 by former Metro-Goldwyn-Mayer animation directors William Hanna and Joseph Barbera (creators of Tom and Jerry) and live-action director George Sidney in partnership with Columbia Pictures' Screen Gems television division. The company was sold to Taft Broadcasting in late 1966, and spent the next two decades as a subsidiary of the parent and its successors. Hanna-Barbera was known not only for its vast variety of series and characters, but for building upon and popularizing the concepts and uses of limited animation. For over thirty years, Hanna-Barbera produced many successful animated shows, including The Flintstones, Yogi Bear, The Jetsons, Scooby-Doo and The Smurfs. In addition to winning seven Oscars, Hanna and Barbera won eight Emmy Awards,a Golden Globe Award, and a star on the Hollywood Walk of Fame, among other merits. The company's fortunes declined in the mid-eighties after the profitability of Saturday morning cartoons was eclipsed by weekday afternoon syndication. Hanna-Barbera was purchased from Taft (by then named Great American Broadcasting) in late 1991 by Turner Broadcasting System, who used much of its back catalog to program its new channel, Cartoon Network.Read More


I was chosen, with Alan Bodner, to create a series of posters for the Warner Brothers Stores across the United States. I designed and drew the posters and Alan did the color. We travelled across the country for appearances at individual stores promoting the Looney Tunes for Warner Bros. We also oversaw the printing of the lithographs and serigraphs, which were printed at The Ettinger Atelier in New York City.Read More


Born and raised in southern California Jim grew up surrounded by art and architects. His southern California influence is prevalent in his work. The Ocean, Surfing and the movie studios are a major part in his life and career. Jim has worked with most of the Movie and animation studios in southern California and continues to work with Disney and Warner Bros. on a regular basis. He has been painting and designing for the entertainment and advertising business for over two decades. But beyond his excellent artistic skills, his greatest talent lies in his artistic skills. His talent as an artist is being able to take ideas and thematically bring it to visual reality. He has been associated with artists devoted to this kind of acumen ability. As a byproduct of his years as an instructor at the prestigious Art Center College of Design (since 1985) he has a strong connection to artistic diversity as well as a careful observation of the changing world of art and how art interrelates with technology. His experience and knowledge cross many boundaries into Print, Film, Animation, and the fine arts. His extensive client list includes Disney, Warner Bros., Sony Pictures, Paramount pictures, Queen Mary, Radio City Music Hall, Castle Theater, Fox Pictures, and Gotcha Sportswear. His Palette of oils has inspired him to create a new look that has energized his love of the old painters with the combination of the great Walt Disney Studios. Read More


Glen Orbik (1963 – May 11, 2015) was an American illustrator known for his fully painted paperback and comic covers, often executed in a noir style. In the 1970s, Orbik and his mother moved to Douglas County, Nevada. He is a 1981 graduate of Douglas High School in Minden, Nevada. He studied art at the California Art Institute then located in Encino, later Calabasas, California, and now located in Westlake Village. He studied under the school's founder, retired movie and advertisement illustrator Fred Fixler. Orbik eventually took over the classes when Fixler retired from teaching and taught figure drawing after returning from an extended hiatus.[citation needed] His work has been compared to Alex Ross and Robert McGinnis,[citation needed] and he was a popular teacher among fine art, comic, and video game artists.[citation needed] He most recently worked on a series of paperback covers for the Hard Case Crime series of novels. Orbik resided in Van Nuys, California.[1] He died on May 11, 2015 of cancer.Read More


Phillip Bradley "Brad" Bird (born September 24, 1957) is an American film director, producer, screenwriter, and actor, who began his career as an animator. Bird developed a love for the art of animation at an early age and was mentored by Milt Kahl, one of Disney's legendary Nine Old Men. He was part of one of the earliest graduating classes of the California Institute of the Arts alongside John Lasseter and Tim Burton. Afterwards, Bird worked as an animator for Disney and wrote the screenplay for Batteries Not Included (1987). Bird served as a creative consultant on The Simpsons during its first eight seasons, where he helped develop the show's animation style. Afterwards, Bird left to direct his first animated feature, The Iron Giant (1999), which fared poorly at the box office but came to be regarded as a modern animated classic. He rejoined Lasseter at Pixar in 2000, where he would develop his second picture, The Incredibles (2004), and his third picture, Ratatouille (2007). Both films place among Pixar's highest-grossing features and gave Bird two Academy Award for Best Animated Feature wins and Academy Award for Best Original Screenplay nominations. In 2011, Bird transitioned to live-action filmmaking with Mission: Impossible – Ghost Protocol, which became the highest-grossing of its franchise. His latest film, Tomorrowland, starring George Clooney, was released in May 2015.Read More


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