Nathan Greene For I Was Thirsty
Status: In Stock Available | Condition: New | Edition:Limited Edition | Edition Size: 998 | Dim:30 x 40 | Nathan Greene| Item #: AG2033L
Price: $ 1,495.00 USD..
9/18/2025 $498.33 1st payment
10/18/2025 $498.33 2nd payment
11/17/2025 $498.33 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Nathan Greene For I Was Thirsty is eligible for 3 equal layaway payments in store, with a credit card of $498.33 made every 30 days over a period of three months. US & Canada orders only.
Nathan Greene is a distinguished artist known for his deeply moving Christian art, bringing spiritual themes to life through fine art and religious realism. His figurative painting skillfully portrays biblical scenes, offering a profound sense of faith and inspiration. Using oil painting techniques with masterful control of light and shadow, Greene creates emotionally rich narratives that resonate with viewers on a spiritual level. His dedication to contemporary realism and classical composition allows each piece to convey deep meaning, making his work a centerpiece of faith-based art. Through traditional techniques and emotional storytelling, Greene's paintings offer a timeless reflection on faith, hope, and divine presence.
For I Was Thirsty - AG2033L
NOTES: "I Was Thirsty" depicts the true story of Confederate Sergeant Richard Kirkland during the Civil War battle of Fredricksburg. After a fierce battle on Dec 13, 1862, the scene shifted from heavy fighting to intense suffering. Sergeant Kirkland decided to do something about it. After being ordered not to enter no man's land by his commanding officer, General Joseph Kershaw, he convinced the general to change his mind, and allow him to help the fallen Union enemy soldiers crying for help. Kirkland gathered all the canteens he could carry and filled them at the near by water well. Then, at extreme risk to himself, he ventured out to help the Federal soldiers. He carried water and warm clothing to the suffering Federal soldiers. Sergeant Kirkland's heroic act is a perfect example of the spirit of service noted by Jesus in Matthew 25. "I Was Thirsty" captures the pathos and emotion of this unselfish act of service, and serves as the second visual illustration in Artist Nathan Greene's Matthew 25 collection .
For I Was Thirsty by Nathan Greene is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Nathan Greene
Nathan Greene bio
Rarely does an artist emerge with the balance of strengths and emotional intensity of Nathan Greene. His large, luminous paintings of Christ in contemporary settings combine his unique style with the painting traditions of the old masters to deliver powerful images that go straight for the heart. Masterful portraiture of human and animal subjects, meticulous attention to detail, and landscapes that seem to vibrate with life are all features of his work. Composition, color and light are given equal consideration in building the inspirational impact he achieves. Born in Michigan in 1961, Nathan's interest and talent in art were apparent at an early age. By the time he could hold a pencil, he began drawing and by first grade was taking art instruction. His early years were characterized by a constant striving to improve his observational and artistic skills, earning numerous awards and recognition. During high school, he traveled to the East Coast to seek advice from leading illustrators. By his senior year in high school, he already had a gallery selling his artwork. He chose Chicago's American Academy of Art to further his study for its emphasis on excellence in traditional painting and drawing skills. In 1983 he entered the highly competitive market of freelance illustration, and by the end of that decade had established himself by working for clients such as the National Wildlife Federation, NASA, Focus on the Family, Christianity Today as well as other large corporations, agencies and private collections. His ability to convey intangible aspects of drama and spirituality in his subjects attracted clients who commissioned works for inspirational book covers, magazines, and television shows. A series of paintings he completed for NASA, depicting various scenes of the space program, is a remarkable example of his ability to express the emotional elements of a moment. The paintings not only describe the scenes in all their detail, but also communicate the scale, intensity and wonder of man's heroic attempts to probe the heavens. Nathan is very much a contemporary painter with a strong foundation in classical art. His paintings include oil on canvas and also a multimedia approach, incorporating other drawing and painting methods and materials in the same piece. The figures are painted using live models, carefully chosen, then photographed under Nathan's direction. He starts each project by producing a detailed pencil drawing, the result of any number of exploratory sketches to determine composition and light and dark values. The drawing is then transferred to the painting surface, and he begins with an underpainting. Working on the floor, he covers the canvas with a thin oil wash of colors designed to set up a warm and cool interplay which subtly shines through the layers of paint to produce a glowing depth and richness. Next, moving to the easel, he begins painting the actual image, first pulling out the light areas, then applying the paint to describe form, color and detail. His choice to focus on inspirational Christian images seems a most natural one. A spiritual dimension has always been present in his work, conveying a sense of reverence and wonder for life in all its forms. He hopes his art gives people an impression of a kind, loving and compassionate God, present through life's daily struggles and joys. There is no doubt that, as Nathan Greene evolves as an individual and an artist, his body of work will be significant and his future bright. Nathan Greene works at home in his studio in rural Michigan with his wife and three children. He relaxes by running four to six miles a day and enjoying his family.
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