John Buxton - Lost and Found for Bounty
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John Buxton Lost and Found for Bounty Giclee On Canvas

Status: In Stock Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition of 45 | Dim:27 x 18 | John Buxton| Item #: BU00042lg

Price: $ 395.00 USD..

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9/17/2025  $131.67 1st payment
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Art Terminologies

Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques

Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.

Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.

Remarque – Additional enhancements by the artist on some or all of the final prints within an edition

Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.

“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.

Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.

Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.

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John Buxton Lost and Found for Bounty  Giclee On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $131.67 made every 30 days over a period of three months. US & Canada orders only.

John Buxton is a renowned historical fine artist, best known for his realistic depictions of 18th-century American frontier life. His artwork, meticulously researched and historically accurate, brings to life the events and people of the French and Indian War, Native American history, and Colonial America. With a background in commercial illustration, Buxton transitioned to fine art, creating dynamic and immersive historical scenes that capture the essence of America’s early conflicts and cultural interactions. His collectible fine art prints and original paintings are highly sought after by history enthusiasts and art collectors, preserving the rich heritage of the American Revolution and frontier life.

Lost and Found for Bounty - BU00042lg

NOTES: Lost and Found for Bounty - Despite the insurmountable odds, harsh discipline or unbearable circumstances British soldiers were occasionally driven to the desperate act of deserting into the vast colonial wilderness. There are accounts recorded from as early as the 18th Century. To help capture these run-a-ways during the French and Indian War, the use of allied Indians began in earnest after 1760. One of the most successful captures involved the return of 14 men taken by the Seneca in 1762. Some of these deserters were of the 60th Royal American Regiment "• as seen in this painting "• and were returned to their commandant at Fort Niagara on Lake Ontario. Another instance can be found in this account from in the papers of Colonel Henry Bouquet: Lieut. Carre to Col. Bouquet "• Venango "• Aug. 15 1761 "Sir, I have sent under the care of the bearer, Corporal Roller, Phillip Dill of Major Walters Company, who deserted from Niagara the 12th of July & was brought here by an Indian who took him up near Custaloga's; as the Indian insisted much to have his reward in Rum, I promised that he should have 2 1/2 gallons at Fort Pitt (where he will be in a few days) in case you approve of it. The Deserter says there was another man came off with him, whom he left in the woods near Presqu'isle so weak that he could not proceed & that he advised him to deliver himself up at Presqu'isle . . . ." "Lost and Found for Bounty" is a Fine Art Canvas that captures John Buxton"s incredible play of light in a dark forest coupled with raw, intense emotion. No one captures light and or stages a scene in a painting as skillfully as Buxton and few other painters pay such attention to historic detail..

Lost and Found for Bounty  Giclee On Canvas by John Buxton  is signed by the artist and comes with a certificate of authenticity.

image Copyright © 2025 by John Buxton

John Buxton bio

"John Buxton was born in the small southern town of Oxford, North Carolina. He excelled at art from childhood. After two years of general college in his home state, he earned his art degree from the Art Center College of Design in Los Angeles, California. He was a successful illustrator for 31 years, working in Detroit, Cleveland and Pittsburgh. During this time, he illustrated two books for the National Geographic Society and developed a fascination with documentation and truth in art. In 1994 he left illustration and began painting subjects more personal to his interests. Buxton soon began exhibiting his painting, placing two works in the Birds in Art show at the Leigh Yawkey Woodson Art Museum. Northlight Books later reproduced these two paintings in The Best of Wildlife Art 2 by Rachel Rubin World. He entered, and placed in the Top 100 in the Arts For The Parks competition. The Society of Animal Artists elected him to membership and invited him to show in their national exhibitions. He exhibited with the American Academy of Equine Artists before settling into his true niche: Historical Art. Buxton s historical images of the 18th century often depict scenes from the birth of our nation, allowing the viewer to witness momentous events or experiences from everyday life of the frontier. Many historical sites display Buxton s extensively researched works and several documentary films have been aired that featured his paintings. Buxton s paintings are available as a CD Teaching Aid for educators wishing to give students a more intimate view of America s historical heritage, effectively making history come alive. His original paintings and commissioned works are in great demand. Buxton exhibits his original art at Settlers West Galleries in Arizona, Gallery One of Ohio and Lord Nelson s Gallery in Gettysburg. Buxton has shown his artwork at the Gilcrease Museum and his largest painting; a life-size standing portrait of Abraham Lincoln hangs in a place of honor at the National Civil War Museum.