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Craig Kodera LOOKING FOR NAGUMO Giclee On Paper
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Craig Kodera LOOKING FOR NAGUMO  Giclee On Paper Craig Kodera

Status: In Stock Only 1 Available | Condition: New | Edition:Limited Edition Giclee On Paper | Edition Size: Printer Proof | Dim:Image Size: 28 " X 14 " | Craig Kodera| Item #: GWCK00014

Price: $ 475.00 USD      

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Craig Kodera LOOKING FOR NAGUMO  Giclee On Paper is eligible for layaway in 3 equal payments of $158.33 over 60 days.

Layaway Option Schedule
6/22/2021  $158.33 1st payment
7/22/2021  $158.33 2nd payment
8/21/2021  $158.33 3rd & final payment

payments are automatically deducted from your credit card.

Available for purchase today, June  22, 2021

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LOOKING FOR NAGUMO. This Piece has been Hand-Signed by Craig Kodera - GWCK00014  Giclee On Paper

NOTES: It is the third of June, 1942. It's first light over Midway. The American Navy had been decoding the secret transmissions of the Japanese. The last message intercepted before the enemy changed its codes was what amounted to the full battle order and operations plans for the Japanese attack on Midway. The long and the short of it was that the U.S. knew roughly where they were going to be, at about which time but it was a pretty large area. "Roughly" is the key operating word. The Navy sent up planes in a fan operation from Midway where there was a detachment of bombers, torpedo bombers, scout airplanes and patrol airplanes. Of all the aircraft that went out for a couple of days in a row, only one finally stumbled across the Japanese fleet. This Consolidated PBY-5A had taken off from Midway at about three in the morning and Jack Reid, the commander, spotted the fleet at about 10 a.m. Reid's crew radioed ahead and this enabled the combined forces to engage the fleet and conduct the Battle of Midway in such a way that the Allies won..

LOOKING FOR NAGUMO  Giclee On Paper by Craig Kodera  is signed by the artist and comes with a certificate of authenticity.

Craig Kodera bio

Aviation is this artist s living. Painting is a joy and a choice; not his career. Craig Kodera career is as an airline pilot, so each of his paintings reflect an intimate knowledge of how it feels to fly and what it looks like out the cockpit. "I paint what I see," he says,"and my office window is at 35,000 feet." An appreciation of aviation came easy, since Kodera was raised in what he terms an "aviation family," which included an uncle who flew with the famous Doolittle Raiders during World War II. At an age when most teens were trying to ace the driver s test, Kodera had earned his private pilot s license. A love of painting also came early. Kodera started seriously studying it at fourteen. He graduated from UCLA with a degree in mass communications and spent a year as a commercial artist before joining the Air Force Reserve, where he was assigned to the Air Rescue Service and then the Strategic Air Command. There his knowledge of air war history grew while he logged literally thousands of hours flying. Eventually Kodera left the service and joined American Airlines. When he isn t flying, he s usually painting. His artwork is part of the Smithsonian Institution s National Air and Space Museum permanent collection and hangs in many museums. He is also the charter vice president of the American Society of Aviation Artists, a member of the Air Force Art Program and serves with the Los Angeles Society of Illustrators.