Alan Bean — Some Tools of Our Trade - Giclee On Canvas Artist Proof
Dim: 11 inches wide by 12 inches tall
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Alan Bean — Painting Apollo First Artist on Another World COLLECTOR BOOK WITH - Giclee On Canvas Artist Proof
Dim: 11 inches wide by 10 inches tall
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Alan Bean — HELLO UNIVERSE - Giclee On Paper Artist Proof
Dim: 29 inches wide by 16 inches tall
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Frank McCarthy — The Coming of the Iron Horse - Giclee On Canvas Artist Proof
Dim: 28 inches wide by 22 inches tall
Alan Bean — Feelin Fine - Giclee On Canvas Artist Proof
Dim: 18 inches wide by 27 inches tall
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Bonnie Marris — Undivided Attention - Giclee On Canvas Artist Proof
Dim: 33 inches wide by 26 inches tall
James Christensen — Arise and Shine Forth OPEN EDITION - Canvas
Dim: 18 inches wide by 24 inches tall
Dean Morrisey — The Chieftains - Giclee On Canvas Artist Proof
Dim: 24 inches wide by 32 inches tall
James Christensen — The Blind Leading the Blind - Giclee On Canvas Artist Proof
Dim: 24 inches wide by 12 inches tall
Christopher Blossom — Below Telegraph Hill Small Works Edition - Giclee On Canvas Artist Proof
Dim: 12 inches wide by 11 inches tall
About Ken Auster
Remembering Ken Auster It is with great sadness that we announce the death of our artist, Ken Auster. In his formative years in Long Beach, California, Ken grew up with his feet deeply planted in surf and sand. Caught up in the ground swell of the 1960s surfing culture, Ken plunged into both the sport and the art and graphics that came out of the new surfing craze. In the 1990s, Ken Auster moved into plein air painting, capturing immediate scenes in a painterly realist manner, but maintaining a strong graphic sensibility from his previous experience. The result was a painterly evocation of cityscapes, landscapes, interiors and, of course, beach scenes that have an uncommon graphic and geometric strength. In his own words, Ken described his art: “I’m really drawn to the irony of what I do. I love that juxtaposition of paintings you recognize from art history with everyday experiences. What I like to do is paint things a little more common, more everyday. They say if you are able to take something ugly and paint it beautifully, then you’ll have a beautiful painting and something a little beyond the obvious or what’s expected.” We will miss working with Ken, and cherish his work that we published.