Judy Larson - The Ghost Wind Limited Edition
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Judy Larson The Ghost Wind Limited Edition Print

Status: In Stock Available | Condition: New | Edition:Limited Edition Print | Edition Size: Limited Edition Of 1000 | Dim:28 inches wide by 17 inches tall | Judy Larson| Item #: JL00045

Price: $ 245.00 USD..

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Art Terminologies

Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques

Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.

Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.

Remarque – Additional enhancements by the artist on some or all of the final prints within an edition

Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.

“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.

Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.

Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.

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Judy Larson's contemporary portraiture blends abstract portrait art with emotional expression, offering a unique approach to figurative abstraction. Her mixed media portraiture captures the essence of the human form through vibrant color, textured paintings, and dynamic compositions. Larson's work delves into the psychological depth of her subjects, creating psychological portraits that speak to the viewer on a personal and emotive level. Through her use of expressive color and innovative techniques, she explores the complexity of human identity and emotion, turning the traditional portrait into a modern, conceptual work of art. Her modern figurative art invites viewers to explore the intersection of color, texture, and form in powerful visual narratives.

The Ghost Wind
LIMITED EDITION PRINT - JL00045

NOTES: The first offering in The Noble Spirit Series

It has been said that in the early mists of dawn they were invisible; in a snowstorm, undetectable; in battle, unseen. Then, like the spirits for which they were named, they inexplicably appeared.
Ghost Wind horses carried big medicine. Along with their stealth, they were exceptionally intelligent. They were trained to be fierce combatants, but, like warrior-poets, they were also renowned for their complacent and docile nature. Their value to the tribe was known to be greater than that of any human.

Distinguishing each Ghost Wind were two to four, or a handful of dark spots, but only on its left side. Lightening or vanishing stripes graced the cheekbones of the face. The skin of the body was silver white, the hair more like fur, and dark stockings covered the legs. The direct father/son breeding line traced back to the Northwest's Siletz and Talimook peoples, who bred their horses with Russian (as opposed to Spanish) spotted horses. Quite rare, they did not appear in every generation.

Considered to be forever wild, a Ghost Wind was never owned, but simply watched over by a caretaker or custodian. Still, its training was intense. It could be counted on to continue an attack against a foe, even after its rider had fallen. Yet, directly after battle this forceful warrior would be placed in the care of an eight, or nine, or ten-year-old child. Such was the training and nature of this remarkable horse that, returning directly from the violence of warfare, a small child could handle it. A noble spirit, indeed.



The Noble Spirit Series

Concealed imagery has long been a hallmark of a Judy Larson composition, a second part to the story she tells in any painting. With The Ghost Wind, however, both the portrayal, as well as the story, begin and end with the beauty of, and the passion for, the unique horse itself. The Noble Spirit Series will interpret the nature of legendary North American animals without the aid of concealed imagery.
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The Ghost Wind Limited Edition  Print by Judy Larson  is signed by the artist and comes with a certificate of authenticity.

image Copyright © 2025 by Judy Larson

Judy Larson bio

Judy Larson always knew she was going to be an artist. She was surrounded by them as a child, and was particularly inspired by her father, a professional illustrator. Judy received a Bachelor of Science degree in Commercial Art from Pacific Union College in Northern California, then spent the next 17 years as a commercial artist, illustrator and art director. In 1988, influenced by her love of nature and animals, Judy devoted her time to wildlife art. Her primary focus in each of her paintings is the animal, with the horse as a recurring subject. Her unique approach to her work is through the use of scratch board--a technique that can render magnificent detail but one requiring infinite patience. Scratch board, an old, but little used medium, consists of a smooth, thin surface of hardened China clay applied to a board. The subject is then painted solidly with black India ink to create a silhouette. Now the exacting work begins, engraving the image into the surface of the artwork. While many artists use steel nibs or engraving tools, Judy prefers to work with X-acto blades, changing them ever few minutes to produce as fine a line as possible. Once the subject has been totally scratched, it is a finished black and white illustration, ready for the artist to add color. The methods of adding color are diverse. Judy prefers a combination of airbrush, gouache or acrylics for finishing, with frequent rescratching for detail. Scratch board is a demanding medium, one that Judy has used masterfully in developing her unique approach to wildlife art.