Heather Edwards Baby of Mine Gallery Wrapped Giclee On Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Gallery Wrapped Giclee On Canvas | Edition Size: Limited Edition 1500 | Dim:16 X 12 | Heather Edwards| Item #: CEBABMINETC
Price: $ 150.00 USD..
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Availability
Status: In Stock Available
Disney Fine Art pieces are carefully prepared for you, with hand-enhancements that make each one a true masterpiece. On average, shipping takes about 5–7 business days, allowing the artist’s finishing touches to be completed with care. If you ever need your artwork sooner, we’re happy to explore express shipping options to accommodate your request.
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Heather Edwards is a Disney Fine Art artist known for her fantasy realism and classically inspired painting techniques. Her work brings modern storytelling to life, reimagining mythical themes, folklore, and beloved pop culture characters with emotionally expressive portraits and rich, detailed compositions. Edwards' ability to blend realism with fantasy has made her limited edition Disney prints and original works highly sought after by collectors. Through her distinctive vision, she transforms familiar characters into timeless fine art pieces, offering a contemporary fantasy art experience that resonates with fans and collectors alike.
Baby of Mine - CEBABMINETC
NOTES: Dumbo, for me, is a very personal film. It's not just about an adorable baby elephant with a tough story. Instead, it embodies a vast body of emotions and experiences--from excited anticipation to fear, absolute joy to deepest sorrow, bullying and misinterpretation to faith in one's self, and separation to coming home again, among many. "Baby of Mine" is a painting that strives to capture a slice of the emotions approached by Disney's emotive masterpiece.
As a mother myself, the scene upon the grassy hilltop under the light of the stars in which Dumbo is brought to his imprisoned mother is one of the most powerful, if not endearing moments in the film. Yes, it breaks your heart to watch. They both have lost everything they love most--each other. And yet, one cannot come away from that scene having not been lifted. Dumbo's arrival gives his mother hope . It is a mother's unconditional love that allows Dumbo a smile as he departs. In "Baby of Mine", Dumbo and his mother are at that moment of coming and going, as we all are in our own lives to some degree or another. And as we realize that there are no absolutes in that transition, the transition becomes something of a growing point rather than stumbling block, if we let it. Although Dumbo, from this moment forward, will traverse many difficult and discouraging experiences, he has the knowledge of his mother's love to carry him through and to give him courage.
Looking past the surface of the imagery, I also got the feeling there was more to this scene that what initially meets the eye. In truth, the wagon in which Mrs. Jumbo is kept was not originally intended for "mad" elephants. It was meant to bring into town the amazing pachyderms announced energetically by the ringmaster in the beginning. Yet after an unfortunate turn of events, it becomes instead a prison. This is evident in "Baby of Mine". An illustrative circus poster dons the side of the wagon describing these amazing animals. When Mrs. Jumbo is incarcerated, a roughly written wooden placard is nailed over the top of it. When I watch this scene, I'm not only reminded of the unequivocal love that she has for her baby, but how, even in the midst of doing everything she believes to be right and true in defense of her child, she is labeled "mad"--in essence, a failure, a danger and stripped of any grandeur previously ascribed to her prior to the incident. Too often around us, misconceptions are accepted, fingers are pointed and labels are applied where once something was considered a wonder, something beautiful and to be cherished . Ideals are trampled, kindness and forgiveness are squashed and fear reigns in an appeal to the demands of the masses. The inherent nature and beauty in those ideals, in their purest, liberated forms never change. Indeed, they cannot change. They live on forever, in spite of being chained and caged by those who do not understand them. In fact, sometimes we even subvert the good in ourselves by accepting labels that others have solicited upon us. We need reminding on occasion, then, to peer beneath the labels, the false fronts and vindictive derogating to rediscover what is most valuable--the power and potential of what lies beneath. And this, here in "Baby of Mine", is what speaks loudest in the tender embrace between mother and child.
-Heather
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* Priced at $150.00
* Limited to 1500 pieces
* Artist signed in the original image
* Includes A Certificate Of Authenticity
* 1.5 deep stretcher bar
* Image extended gallery wrap which allows the collector to display
with or without a frame
Baby of Mine Gallery Wrapped Giclee On Canvas by Heather Edwards is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Heather Edwards
Heather Edwards bio
Some stories begin on well-defined roads or with billboard accomplishments. But the story of an artist usually begins somewhere less noticeable, perhaps even unrecognizable to most. It is just such a beginning that gave life to the art of creator, Heather Edwards. Paintings were born from 5:45 a.m. mornings during summer breaks from school in Paradise, Utah, waking up to breathe in the crisp air and watch the sun rise and glow through the blades of grass in the lawn. Ideas sprung from thunderstorms, the struggles of working on a small farm and from the loyal companionship of pets. Personal experiences combined to shape the narrative behind each forthcoming creation. From that vantage point, life itself became the paint on the brush and the guiding force behind everything Heather made and from as early as her pre school years she knew that making art was what she wanted to do for the rest of her life. However, receiving extra training or attending an acknowledged art school were not to be part of her story. Yet, it was from her own father that she learned one of her most valuable lessons: observe. It was a simple enough concept, but it stuck. Heather's paintings are the product of decades of observation of people, of environments, of animals and of textiles, as well as the convergence of every scrap of knowledge that came attached to them. The wonder and magic of Disney movies, both the imagery and the music, also helped cultivate the ideas that began to take form in painting, and now, boldly recreating Disney characters in a way that brings them into the realism of our world has become an exciting new passion. Shared and collected around the world, Heather Edward's paintings are constructed in the midst of a bustling family, and although that poses a multitude of challenges of its own, her art has gone on to get the attention of USA Today, the LA Times and received recognition and awards from respected organizations such as Art Renewal Center, Artist's Magazine and Spectrum, among others. To Heather, every painting is personal, but not necessarily in the way most might think. "I don't necessarily want the viewer to have the same response to my painting as I have. Instead, my hope is that the expression I paint on the board through hours of observation and execution of detail will speak to them in a way that ignites thoughts and feelings unique to them.
