Gilbert Young PASSING THE TORCH Giclee On Paper
Status: In Stock Available | Condition: New | Edition:Limited Edition Giclee On Paper | Edition Size: Limited Edition of 50 | Dim:28 X 30 | Gilbert Young| Item #: GYPASSTORP
Price: $ 600.00 USD..
9/17/2025 $200.00 1st payment
10/17/2025 $200.00 2nd payment
11/16/2025 $200.00 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available
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Gilbert Young PASSING THE TORCH Giclee On Paper is eligible for 3 equal layaway payments in store, with a credit card of $200.00 made every 30 days over a period of three months. US & Canada orders only.
Gilbert Young is a renowned African American artist, muralist, and art conservator whose work profoundly captures the African American experience. His iconic painting, He Ain't Heavy, exemplifies his commitment to figurative realism and serves as a powerful piece of social commentary. Beyond his studio work, Young has made significant contributions as a community activist, creating impactful public murals that celebrate cultural heritage and address pertinent social issues. His art not only reflects the richness of African American culture but also inspires dialogue and understanding within the broader community.
PASSING THE TORCH - GYPASSTORP
NOTES: This piece was created to celebrate my friend John Lewis and the historic march over the Edmund Pettus Bridge, but the broader meaning of the image is to remind us never to forget, and to pass on what we know, what we experience, what we have endured, to the next generation. .
PASSING THE TORCH Giclee On Paper by Gilbert Young is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Gilbert Young
Gilbert Young bio
Gilbert Young's support of various community activities and events in his native town of Cincinnati, Ohio spans over two decades. He was active there in both the artistic and scholastic arenas. Young served as Director and Conservator of the Fine Arts Collection for the University of Cincinnati for twenty-six years. He also served as Artist-in Residence for the University in 1994-1995. Dating back to 1975, this multi-talented, multi-faceted, internationally known artist has lent the use of his images and time to many community projects and organizations. Young served as a consultant to the Harriet Beecher Stowe House Project, a renovation and restoration project for the Harriet Beecher Stowe house, creating a cultural arts center for the visual and performing arts in Cincinnati. In 1991, when the Cincinnati branch of the National Council of Negro Women hosted its first "Black Family Reunion", Gilbert was asked to provide the image that would become the official poster of the event. He also lent the use of his image, "Inside Daddy's World" , to The Black Male Coalition of Greater Cincinnati, Inc. in 1995 as the cover of their brochure and one of his most profound works, a commissioned portrait of civil rights leader Dr. martin Luther King hangs in the lobby of University Hospital.
