Mo Dafeng NIGHT FISHING Giclee On Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition 50 | Dim:36w x 13h | Mo Dafeng | Item #: GWNIGHTFISH
Price: $ 395.00 USD..
9/20/2025 $131.67 1st payment
10/20/2025 $131.67 2nd payment
11/19/2025 $131.67 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
… learn more Click here for more Art Terms
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Status: In Stock Available
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Mo Dafeng NIGHT FISHING Giclee On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $131.67 made every 30 days over a period of three months. US & Canada orders only.
Mo Dafeng is a master of landscape painting, blending contemporary realism with a poetic sense of atmosphere and mood. His fine art compositions are characterized by their stunning use of light and shadow, creating serene and immersive natural scenery that captures fleeting moments in time. Through oil painting and impressionistic realism, Dafeng's works evoke a profound connection to nature, employing detailed brushwork and traditional techniques infused with modern realism. His ability to balance realism with an ethereal quality makes his art both timeless and deeply expressive. As a celebrated figure in cultural heritage art, Mo Dafeng's paintings transport viewers into tranquil landscapes, offering a meditative and visually captivating experience.
NIGHT FISHING - GWNIGHTFISH
NOTES: NIGHT FISHING.
NIGHT FISHING Giclee On Canvas by Mo Dafeng is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Mo Dafeng
Mo Dafeng bio
His love of the American landscape, the fog-shrouded coast and all things romantic is informed and illuminated by his youth and education in China. Born in Shanghai the son of an art professor at the Art Academy of China, and educated at the People’s Liberation Army Art Institute in Beijing, Mo was one of the few artists ever honored with shows at both the National Theater and the National Gallery in Beijing. He only came to the U.S. in 1987 and fell in love with the beauty of the land. Mo was one of a number of Chinese arts who attracted the attention of Dave Usher, the late founder of The Greenwich Workshop, who was a pioneer in gaining exposure for their work in the United States. "The things I see in this country are very well suited to the kind of painting I like to do," he says. "The realistic landscape in a dreamlike context." His boats and lighthouses and even trains appear out of a mist, like a vision taking shape. It gives his work a lyrical, haunting quality that was celebrated in exhibitions both here and in Asia. Refusing to rest on his laurels, however, he also attended the Pratt Institute’s School of Art and Design in New York, graduating in 1993 with a Master of Fine Arts. In both countries, fellow artists never fail to be impressed with his remarkable ability to balance his image’s subject with the very air and light around it. To his pleasure, he finds many of the same moods in America that he grew up with in China. "I guess it just goes to show," he says, "that our similarities are greater than our differences."
