Emerald Oasis By Bill Anton Giclee On Canvas Artist Proof by Bill Anton
Emerald Oasis By Bill Anton Giclee On Canvas Artist Proof by Bill Anton is a collectible work of art. Dimensions: 30 x 40. Edition size: Limited Edition Of 15. item# GIBA003AP
Price: $ 895.00 USD..
4/5/2026 $298.33 1st payment
5/5/2026 $298.33 2nd payment
6/4/2026 $298.33 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Bill Anton Emerald Oasis By Bill Anton Giclee On Canvas Artist Proof is eligible for 3 equal layaway payments in store, with a credit card of $298.33 made every 30 days over a period of three months. US & Canada orders only.
Emerald Oasis by Bill Anton Giclee on Canvas Artist Proof - GIBA003AP
NOTES: The Collection Shop is an Authorized Dealer for this artist..
Emerald Oasis By Bill Anton Giclee On Canvas Artist Proof by Bill Anton is signed by the artist and comes with a certificate of authenticity.
Image Copyright © 2026 by Bill Anton
Bill Anton bio
Bill Anton was born in Chicago in 1957 and later moved to Prescott, Arizona. He graduated from Northern Arizona University. Later, after committing to painting full-time, he studied under Michael Lynch and Ned Jacob, who encouraged him to paint from life. "While the nature of my work necessitates much studio time, more and more of my painting is done outside." Anton s work has been published in Southwest Art, Architectural Digest, Art of the West, Equine Images, Western Horseman and Art-Talk. Corporate collections that include his work are Sears, Dupont, State Farm Insurance, Bank of America, Hewlett Packard, and Trust Company of the West. His award winning work has been displayed at the Prix de West at the National Cowboy and Western Heritage Museum, Masters of the American West at The Autry Museum, The National Center for American Western Art, the Old West Museum, and The National Museum of Wildlife Art. In addition, his work is in the permanent collection of the prestigious Gilcrease Museum. "I do not see myself as a biographer of the cowboy. I know some artists feel they are recording history on the ranches as life there is today, but the focus of my work has always been mood and passion. If I m recording anything, I m recording how I feel about the west. I want the viewer to feel the drama of atmosphere and the mystery of a western night. I want the volume and portent of a cloud to be evident in the calligraphy of a brushstroke. The pack of muscle below a horse s shoulder should be energized by a gestural application of paint. "You see, I love to paint. And I love the American west. I was born in Chicago, but the Sierra Nevada, Sangre de Cristo, Sawatch and a hundred other ranges of our rocky mountains were the only "Big Shoulders" I was ever interested in. Walking thunderstorms, sunstruck cedars, rimrock and artfully abstract water patterns charge the landscape with impossible beauty. "Amidst this nobility is its caretaker: the rancher. With the natural ease of generations bred to the saddle, he is a powerful image further ennobled by a fine horse. An artist under the spell of the west has the privilege of marshalling the virtues of landscape, figure and equine painting into one supremely paintable subject: the American cowboy." - Bill Anton