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Judy Larson NINE TO FIVE Lithograph

Judy Larson NINE TO FIVE  Lithograph Judy Larson

Status: Available | Condition: New | Edition:Limited Edition Lithograph | Edition Size: Limited Edition of 2500 | Dim:16 1/8 x 26 3/4 | Judy Larson| Item #: JL00006

Price: $ 235.00 USD      

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Judy Larson NINE TO FIVE  Lithograph is eligible for layaway in 3 equal payments of $78.33 over 60 days.

Layaway Option Schedule

7/17/2018  $78.33 1st payment
8/16/2018  $78.33 2nd payment
9/15/2018  $78.33 3rd & final payment

payments are automatically deducted from your credit card.

Available for purchase today, July  17, 2018

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NINE TO FIVE  Lithograph

NOTES: Five Indian ponies sense an inexplicable presence. As they make their way through the rocks and trees down the steep hillside, their uneasiness is conveyed to their riders. Warily, the party pauses. By happenstance, these five Native Americans have chanced upon a place so filled with the spirit of the wolf that even the rocks and trees attest to their power. After today, the five riders’ medicine will be stronger and more powerful, having been blessed by nine natural benefactors. .

NINE TO FIVE  Lithograph by Judy Larson  is signed by the artist and comes with a certificate of authenticity.

Judy Larson bio

Judy Larson always knew she was going to be an artist. She was surrounded by them as a child, and was particularly inspired by her father, a professional illustrator. Judy received a Bachelor of Science degree in Commercial Art from Pacific Union College in Northern California, then spent the next 17 years as a commercial artist, illustrator and art director. In 1988, influenced by her love of nature and animals, Judy devoted her time to wildlife art. Her primary focus in each of her paintings is the animal, with the horse as a recurring subject. Her unique approach to her work is through the use of scratch board--a technique that can render magnificent detail but one requiring infinite patience. Scratch board, an old, but little used medium, consists of a smooth, thin surface of hardened China clay applied to a board. The subject is then painted solidly with black India ink to create a silhouette. Now the exacting work begins, engraving the image into the surface of the artwork. While many artists use steel nibs or engraving tools, Judy prefers to work with X-acto blades, changing them ever few minutes to produce as fine a line as possible. Once the subject has been totally scratched, it is a finished black and white illustration, ready for the artist to add color. The methods of adding color are diverse. Judy prefers a combination of airbrush, gouache or acrylics for finishing, with frequent rescratching for detail. Scratch board is a demanding medium, one that Judy has used masterfully in developing her unique approach to wildlife art.