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Judy Larson Hiding in Plain Sight Giclee On Canvas

Judy Larson Hiding in Plain Sight  Giclee On Canvas Judy Larson

Status: Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition Of 95 | Dim:12 X 8 | Judy Larson| Item #: GWPLAINSI

Price: $ 175.00 USD      

For U.S. Canada, APO & FPO.

Available for purchase today, June  2, 2020

Hiding in Plain Sight  Giclee On Canvas

NOTES: Hiding in Plain Sight Mysterious and thrilling, the lure of the wilderness comes not from its vast emptiness, but from the chance to be attuned to the extensive variety of wildlife. As this Fine Art Edition Canvas reveals, we¯the intruders¯are more often tracked and observed long before we see anything or sense that we are being followed..

Hiding in Plain Sight  Giclee On Canvas by Judy Larson  is signed by the artist and comes with a certificate of authenticity.

Judy Larson bio

Judy Larson always knew she was going to be an artist. She was surrounded by them as a child, and was particularly inspired by her father, a professional illustrator. Judy received a Bachelor of Science degree in Commercial Art from Pacific Union College in Northern California, then spent the next 17 years as a commercial artist, illustrator and art director. In 1988, influenced by her love of nature and animals, Judy devoted her time to wildlife art. Her primary focus in each of her paintings is the animal, with the horse as a recurring subject. Her unique approach to her work is through the use of scratch board--a technique that can render magnificent detail but one requiring infinite patience. Scratch board, an old, but little used medium, consists of a smooth, thin surface of hardened China clay applied to a board. The subject is then painted solidly with black India ink to create a silhouette. Now the exacting work begins, engraving the image into the surface of the artwork. While many artists use steel nibs or engraving tools, Judy prefers to work with X-acto blades, changing them ever few minutes to produce as fine a line as possible. Once the subject has been totally scratched, it is a finished black and white illustration, ready for the artist to add color. The methods of adding color are diverse. Judy prefers a combination of airbrush, gouache or acrylics for finishing, with frequent rescratching for detail. Scratch board is a demanding medium, one that Judy has used masterfully in developing her unique approach to wildlife art.