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Bonnie Marris Early Blizzard Canvas
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Bonnie Marris Early Blizzard Canvas Bonnie Marris


Status: In Stock Available | Condition: New | Edition:Limited Edition Canvas | Edition Size: Limited Edition Of 75 | Dim:20 inches wide by 15 inches tall | Bonnie Marris| Item #: M00120


Price: $ 295.00 USD..


For United States: 🇺🇸 & Canada: 🇨🇦

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Available for purchase today, March  29, 2024
No Sales Tax Except In The State Of Florida.


Early Blizzard
LIMITED EDITION CANVAS - M00120

NOTES: More than 3,000 bison roam the grasslands of Yellowstone National Park in the summer but winter storms restrict their ability to move about to find food. This buffalo, caught in an early storm, will look for ski trails and roads to ease his winter travel. If you missed out on Marris’ 2011 Sold Out Fine Art Edition, “Heavy Drifting”, you have a rare second chance to capture that icon of the American West in snow, painted by the incomparable Bonnie Marris..

Early Blizzard  Canvas by Bonnie Marris  is signed by the artist and comes with a certificate of authenticity.

image Copyright © 2024 by Bonnie Marris

Bonnie Marris bio

Bonnie Marris has taken an unusual path into art; she developed her talent by portraying animals "from the inside out." While she was a student at Michigan State University, Bonnie illustrated several major books. One volume she worked on was a leading expert s mammalogy text that contained several hundred drawings and detail studies. This massive project attracted the attention of noted zoologist George Schaller, who invited Bonnie to prepare the art for posters that would support his worldwide rare animal relief programs. Beyond academic training and emotional involvement, art requires another element for which there is no substitute: experience. Each year, Bonnie makes two major trips, and countless smaller ones, to observe and learn about the wildlife she loves. In 1980, one such voyage took her to Alaska, where she lived in the wilderness for six months. She recounts, "To get into a natural environment and see the animals on their own terms is as important as knowing the animals themselves. For instance, gray wolves on the tundra—the vast, vast tundra with the wind and other forces of nature at their most extreme—that s what makes them what they are. To stand not far from a grizzly that is so overpowering, so beautiful and so large . . . to watch it pull up a small tree with a swipe of its paw and just a few minutes later see it delicately picking blueberries with its black lips. . . Alaska changed me; it gave me the biggest incentive to paint and increased my interest in the predators: the cats, bears, coyotes, wolves and foxes. They exist on so many levels. Their moods show in their eyes and we can learn so much from them."

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