Alan Bean IN THE BEGINNING... Giclee On Paper
Status: In Stock Only 1 Available | Condition: New | Edition:Limited Edition Giclee On Paper | Edition Size: Limited Edition 1000 | Dim:Image Size: 15 " X 17 1/4 " | Alan Bean| Item #: GWAB00007
Price: $ 4,400.00 USD..
9/18/2025 $1,466.67 1st payment
10/18/2025 $1,466.67 2nd payment
11/17/2025 $1,466.67 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Alan Bean IN THE BEGINNING... Giclee On Paper is eligible for 3 equal layaway payments in store, with a credit card of $1,466.67 made every 30 days over a period of three months. US & Canada orders only.
Alan Bean, a former Apollo 12 astronaut, transformed his firsthand experience of space exploration into stunning fine art paintings. As the only artist to have walked on the Moon, his work captures the textured surface of the lunar landscape, often embedding real moon dust and mission patches into his canvases. His impressionistic space paintings bring the Apollo era to life, showcasing astronaut moonwalks, celestial landscapes, and cosmic exploration from a perspective no other artist can provide. His limited edition space prints and original paintings remain highly sought after by collectors of space history art, making Alan Bean a pioneer in astronaut-inspired fine art.
IN THE BEGINNING... - GWAB00007
NOTES: On July 20, 1969, Neil Armstrong took one small step for a man and a giant leap for mankind. On November 15, 1969, Alan Bean also set foot on the Moon. Twenty-five years later, "In the Beginning" was created to celebrate the anniversary. "I knew that creating a painting to celebrate the twenty-fifth anniversary of the first lunar landing and the total Apollo program would be difficult," says Bean. "How does one show in a single painting the dedication, the intensity, the self-sacrifice, the sense of duty, history and patriotism that engulfed all of us in our quest for the Moon?" With a little help from his friends, that's how. Just as the Apollo program itself was the collaboration of many, Bean sought suggestions from fellow astronauts, artists and good friends before creating this image. The result is this stirring portrait of Neil Armstrong, the first man on the Moon, celebrating their accomplishment in red, white and blue while Gene Cernan, the latest moon explorer, gives a friendly wave at the planet they've temporarily left behind. Countersigners: Walter Cunningham and Wally Schirra (Apollo 7), Frank Borman (Apollo 8), Jim McDivitt and Rusty Schweickart (Apollo 9), Tom Stafford (Apollo 10), Buzz Aldrin and Michael Collins (Apollo 11), Alan Bean, Charles Conrad Jr. and Dick Gordon (Apollo 12), Fred W. Haise and Jim Lovell (Apollo 13), Edgar Mitchell, Stuart A. Roosa and Alan B. Shephard Jr. (Apollo 14), Dave Scott and Al Worden (Apollo 15), Charlie Duke (Apollo 16) and Harrison H. "Jack" Schmitt (Apollo 17)..
IN THE BEGINNING... Giclee On Paper by Alan Bean is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Alan Bean
Alan Bean bio
Captain Alan Bean was the lunar module pilot on Apollo 12, the fourth man to walk on the moon and commander of Skylab 2. "I am fortunate enough to have seen sights no other artist ever has," Bean says.
"I want my paintings to communicate an emotional experience in ways that photography cannot."
Captain Bean creates his original works of art using a unique technique allowing the viewer to actually sense vestiges of the 20th century s most dramatic accomplishments. Pressed into the canvas surfaces are Captain Bean s authentic lunar boot "moonprints," impressions from a core tube-bit used to collect soil samples and marks from a hammer used to drive the staff of the American flag into the moon s surface. Moon dust, trapped on the patches on the outside of his suit, makes its way onto each original as well.
Each print and canvas is an historical record of the lunar experience, as each is signed by moonwalker Captain Alan Bean, with most countersigned by other moonwalkers and astronauts.This may be your only chance to own such a visionary and historic celebration of man s greatest achievement. NASA was sometimes asked "Why not send an artist to the moon?" It turns out they did.
Alan Bean—Apollo XII astronaut, commander of Skylab II and artist—was born in 1932 in Wheeler, Texas. In 1950 he was selected for an NROTC scholarship at the University of Texas at Austin. In 1955, he was commissioned an ensign in the United States Navy.
Holder of eleven world records in space and astronautics, as well as numerous national and international honors, Alan Bean has had a most distinguished peacetime career. His awards include two NASA Distinguished Service Medals, the Yuri Gagarin Gold Medal and the Robert J. Collier Trophy. As part of the Apollo XII crew, he became the fourth of only twelve men ever to walk on the Moon. As the spacecraft commander of Skylab Mission II, he set a world record: 24,400,000 miles traveled during the 59-day flight. He has also launched himself successfully into a new career as an artist.
When he wasn t flying, Bean always enjoyed painting as a hobby. Attending night classes at St. Mary s College in Maryland in 1962, Alan experimented with landscapes. During training and between missions as a test pilot and astronaut, he continued private art lessons. On space voyages, his artist s eye and talent enabled him to document impressions of the Moon and space to be preserved later on canvas. His art reflects the attention to detail of the aeronautical engineer, the respect for the unknown of the astronaut and the unabashed appreciation of a skilled painter.
The space program has seen unprecedented achievements and Bean realized that most of those who participated actively in this adventure would be gone in forty years. He knew that if any credible artistic impressions were to remain for future generations, he must paint them now. "My decision to resign from NASA in 1981 was based on the fact that I am fortunate enough to have seen sights no other artist ever has," Bean said, "and I hope to communicate these experiences through art."
Bean s book Apollo: An Eyewitness Account which chronicles his first-person experience as an Apollo astronaut in words and paintings was received with critical and popular acclaim upon its publication in 1998.
Alan Bean Painting Apollo First Artist on Another World COLLECTOR BOOK WITH Canvas - AB00043
Layaway with 3 pymts of $0.00
Alan Bean Fast Times on the Ocean of Storms Print - AB00066
Layaway with 3 pymts of $0.00
