Crossing the Big Sandy
Master Works Edition On Canvas
40 inches wide by 30 inches tall
Clotildas Perfect Day SMALLWORK EDITION ON
Canvas
13 inches wide by 11 inches tall
Morning Muses
Master Works Edition On Canvas
48 inches wide by 24 inches tall
Tough as Stones SMALLWORK EDITION ON
Canvas
12 inches wide by 9 inches tall
Summer Fields
Master Works Edition On Canvas
48 inches wide by 24 inches tall
Social Viewpoints
Master Works Edition On Canvas
45 inches wide by 27 inches tall
Eye to Eye
Master Works Edition On Canvas
30 inches wide by 40 inches tall
The Power of Freedom
Master Works Edition On Canvas
40 inches wide by 30 inches tall
Mountain Mama
Master Works Edition On Canvas
40 inches wide by 29 inches tall
The Horse Wrangler gatherd the morn
Canvas
37 inches wide by 28 inches tall
No PlaceFor Amateurs!
Master Works Edition On Canvas
40 inches wide by 32 inches tall
Today we will look our best And you will take me where I want to go Tomorrow they will te
Canvas
29 inches wide by 29 inches tall
Nothn like the Feeln of Riden a Fine Horse MUSEUM EDITION ON
Canvas
80 inches wide by 24 inches tall
Hickoryhaven Canal MASTERWORK ANNIVERSARY EDITION
Giclee On Canvas
40 W X 30 H
The Standard Bear
hand-crafted stone lithograph
11.25 x 11.75 inches.
See No Evil, Hear No Evil, Speak No Evil
hand-crafted stone lithograph
11.375 x 11.75 inches
(I've Got the) Bull by the Horns
hand-crafted stone lithograph
7.75 x 9 inches
Fish And Chips
hand-crafted stone lithograph
11.375 x 11.75 inches.
Call of the Wild (Megaphone)
hand-crafted stone lithograph
11.375 x 11.75 inches.
Bad Hare Day (Vase)
hand-crafted stone lithograph
11.375 x 11.75 inches.
At the Drop of a Hat (Ladies Hat)
hand-crafted stone lithograph
11.375 x 11.75 inches.
About Bonnie Marris
Bonnie Marris has taken an unusual path into art; she developed her talent by portraying animals "from the inside out." While she was a student at Michigan State University, Bonnie illustrated several major books. One volume she worked on was a leading expert s mammalogy text that contained several hundred drawings and detail studies. This massive project attracted the attention of noted zoologist George Schaller, who invited Bonnie to prepare the art for posters that would support his worldwide rare animal relief programs. Beyond academic training and emotional involvement, art requires another element for which there is no substitute: experience. Each year, Bonnie makes two major trips, and countless smaller ones, to observe and learn about the wildlife she loves. In 1980, one such voyage took her to Alaska, where she lived in the wilderness for six months. She recounts, "To get into a natural environment and see the animals on their own terms is as important as knowing the animals themselves. For instance, gray wolves on the tundra—the vast, vast tundra with the wind and other forces of nature at their most extreme—that s what makes them what they are. To stand not far from a grizzly that is so overpowering, so beautiful and so large . . . to watch it pull up a small tree with a swipe of its paw and just a few minutes later see it delicately picking blueberries with its black lips. . . Alaska changed me; it gave me the biggest incentive to paint and increased my interest in the predators: the cats, bears, coyotes, wolves and foxes. They exist on so many levels. Their moods show in their eyes and we can learn so much from them."