Wild in the Country SMALLWORK EDITION ON
Canvas
14 inches wide by 11 inches tall
Breaking the Silence Limited Edition
25 inches wide by 13 3/8 inches tall
Raging Bulls
Master Works Edition On Canvas
36 inches wide by 41 inches tall
Long-tail Duck with Decoy 2009 - 2010 Federal Duck Stamp SMALLWORK EDITION ON
Canvas
10 inches wide by 7 inches tall
No Swimming Lessons Today ANNIVERSARY EDITION ON
Canvas
21 inches wide by 16 inches tall
Winters Beauty
Master Works Edition On Canvas
39 inches wide by 26 inches tall
Catch of the Day
Master Works Edition On Canvas
39 inches wide by 18 inches tall
Drivin em Home
Master Works Edition On Canvas
40 inches wide by 30 inches tall
As a Feather on Water SMALLWORK EDITION ON
Canvas
16 inches wide by 10 inches tall
Ambush 1725 at Lovewell Pond
Master Works Edition On Canvas
42 inches wide by 24 inches tall
Making Smoke Building Trade and Trust
Master Works Edition On Canvas
40 inches wide by 30 inches tall
Making Smoke Building Trade and Trust
Canvas
24 inches wide by 18 inches tall
Wilderness Inroads
Master Works Edition On Canvas
37 inches wide by 15 inches tall
About Judy Larson
Judy Larson always knew she was going to be an artist. She was surrounded by them as a child, and was particularly inspired by her father, a professional illustrator. Judy received a Bachelor of Science degree in Commercial Art from Pacific Union College in Northern California, then spent the next 17 years as a commercial artist, illustrator and art director. In 1988, influenced by her love of nature and animals, Judy devoted her time to wildlife art. Her primary focus in each of her paintings is the animal, with the horse as a recurring subject. Her unique approach to her work is through the use of scratch board--a technique that can render magnificent detail but one requiring infinite patience. Scratch board, an old, but little used medium, consists of a smooth, thin surface of hardened China clay applied to a board. The subject is then painted solidly with black India ink to create a silhouette. Now the exacting work begins, engraving the image into the surface of the artwork. While many artists use steel nibs or engraving tools, Judy prefers to work with X-acto blades, changing them ever few minutes to produce as fine a line as possible. Once the subject has been totally scratched, it is a finished black and white illustration, ready for the artist to add color. The methods of adding color are diverse. Judy prefers a combination of airbrush, gouache or acrylics for finishing, with frequent rescratching for detail. Scratch board is a demanding medium, one that Judy has used masterfully in developing her unique approach to wildlife art.