Stickman We May Still Have Time, We May Still Get By - Ann & Nancy Wilson - (Heart) -Giclee On Canvas Artist Proof Hand Embellished
Status: In Stock Available | Condition: New | Edition:Limited Edition -Giclee On Canvas Artist Proof Hand Embellished | Edition Size: Limited Edition of 50 | Dim:30" x 30" | Stickman| Item #: MGGETBYAP
Price: $ 1,895.00 USD..
9/17/2025 $631.67 1st payment
10/17/2025 $631.67 2nd payment
11/16/2025 $631.67 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available
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Stickman We May Still Have Time, We May Still Get By - Ann & Nancy Wilson - (Heart) -Giclee On Canvas Artist Proof Hand Embellished is eligible for 3 equal layaway payments in store, with a credit card of $631.67 made every 30 days over a period of three months. US & Canada orders only.
Blending minimalist design with expressive storytelling, these stick figure compositions use simple yet dynamic lines to convey emotion, movement, and narrative depth. With a playful yet thought-provoking artistic style, each piece transforms basic forms into powerful visual storytelling, creating abstract yet deeply relatable scenes. Featuring energetic, modern conceptual artwork, these narrative-driven illustrations rely on strong composition and minimal forms to evoke humor, introspection, and emotion. Whether depicting whimsical, symbolic, or deeply expressive themes, this unique approach to contemporary figurative minimalism proves that simplicity can be both engaging and profoundly impactful in fine art.
We May Still Have Time, We May Still Get By - Ann & Nancy Wilson - (Heart) - MGGETBYAP
NOTES: We May Still Have Time, We May Still Get By - Ann & Nancy Wilson - (Heart). "Heart is one of those bands who always were on my peripheral. Always thought these ladies rocked, but never followed them that closely. That all changed in late 2012 when two events catapulted them into my atmosphere. Their induction into the Rock n’ Roll hall fame when they brought some of Seattle’s most memorable musicians (Chris Cornell, Jerry Cantrell and Mike McCready) on stage to jam with them, gave them instant street cred with me. Secondly, and most importantly, their performance at the Kennedy Center honors, where they performed Stairway to Heaven in front of Led Zeppelin, not only blew my mind but put the whole music industry on its ear. When I was approached to do a Heart commission, I was happy to oblige. In the weeks that followed while researching this piece I was mesmerized by the acoustic intro on Crazy On You and must have watched every video on you Tube countless times ... It was here that I found my direction for this piece." -Stickman .
We May Still Have Time, We May Still Get By - Ann & Nancy Wilson - (Heart) -Giclee On Canvas Artist Proof Hand Embellished by Stickman is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Stickman
Stickman bio
Trevor “Stickman†Stickel specializes in icon based, pop-realism portraits that capture legendary moments, powerful ideas, and raw emotion. His work is described as gritty-yet fresh, complex-yet simple. Graduating from a Jekyll and Hyde influence early in his career, in which he divided his time between family portraits and airbrush design work on helmets and Harleys, Stickman had the epiphany to combine both styles while reading “According to the Rolling Stonesâ€. Two weeks later he finished his first canvas portrait of Mick Jagger, aptly titled “Please allow me to introduce myselfâ€, which forever changed the direction of his career in the art world. THE MISSION The idea or "mission" behind Stickman’s artwork is to create an artistic tribute to the music and to the musicians that have had a tremendous impact on him and many others. Historically, these tributes would have been limited to photos/posters that adorned the bedroom walls of teenagers and dorm rooms throughout adolescence. Stickman aims to create a style of art that brings these iconic figures back into our lives, and in a manner that adults can display proudly in their homes. THE CONCEPT The concept is to take a realistic portrait and juxtapose it with a background that expresses the feelings and emotions of the subject. This method also allows Stickman to explore other disciplines of art – many of his backgrounds will include abstract, expressionism, impressionism, realism, pop art, street art, surrealism and quite often a combination of these. This is where he gets to enjoy the artistic side of these pieces, while paying additional homage to some of his favorite visual artists. THE HIDDEN MESSAGES AND SYMBOLS In addition to the art itself, Stickman also adds (and quite often hides) his trademarked Stickman symbol (stick figure with devil horns) and the statement "Devil Inside" to the painting. • The Stickman symbol is derived from Stickman’s last name (Stickel) and a common phrase he hears from viewers, "I can't even draw a stick man". The horns represent rock and roll (his primary focus), which is generally regarded as the devil’s music, and references the duality of man (good vs. evil). • The statement "Devil Inside" also references this Jekyll and Hyde type of duality. Stickman often feels there is a difference between Stickman the artist and Trevor Stickel the person. When focused on a subject and working on a piece, he often gets so involved in the subject he finds himself emulating them in the way he dresses and acts, similar to a method actor. • The signature on the bottom right corner usually shows the Stickman symbol imitating the subject. THE TITLE The title of each piece is often overlooked but may very well be the most important piece of the puzzle. Stickman looks for a lyric that he believes personifies the subject or his feeling toward that subject and from there, begins to create an image and feeling that takes the viewer to that emotional state of mind. The titles are always a lyric from the subject's song but never the title of a song. If the viewer is a fan of the subject, they should almost hear the lyric or feel the emotion of the lyric when looking at the piece. Knowing the title completes the emotional connection to the painting and usually reveals a personal trait about the subject.
