Simon Combes The Last Elephants MUSEUM EDITION ON Canvas

Name: Simon Combes The Last Elephants MUSEUM EDITION ON Limited Edition
Brand: Simon Combes
SKU: SC00092
Price: 1950 USD
Availability: InStock
Rating: 5 (3 reviews)

Price: $ 1,950.00 USD..

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9/17/2025 $650.00 1st payment
10/17/2025 $650.00 2nd payment
11/16/2025 $650.00 3rd & final payment
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Available for purchase today, September 17, 2025 No Sales Tax Except In The State Of Florida. All products are shipped from our US Warehouses. For U.S. & Canadian Customers

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Art Terminologies

Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques

Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.

Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.

Remarque – Additional enhancements by the artist on some or all of the final prints within an edition

Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.

“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.

Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.

Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.

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Simon Combes The Last Elephants MUSEUM EDITION ON Canvas is eligible for 3 equal layaway payments in store, with a credit card of $650.00 made every 30 days over a period of three months. US & Canada orders only.

Blending hyperrealistic animal portraiture with breathtaking wilderness landscapes, these African wildlife paintings capture the beauty, power, and essence of nature with meticulous detail and depth. Featuring majestic big cats, vast savannas, and dynamic safari compositions, each piece tells a story of conservation, survival, and the delicate balance of the wild. Through rich textures, lifelike detail, and dramatic lighting, these artworks create an immersive experience that brings the viewer closer to the heart of Africaâ€™s untamed beauty. Whether depicting endangered species, expressive animal portraits, or sweeping landscapes, these wildlife conservation pieces serve as a powerful tribute to nature and its preservation, making them a treasured addition for collectors and nature enthusiasts alike.

The Last Elephants
MUSEUMEDITION CANVAS - SC00092

NOTES: Years ago, Simon Combes wrote in his diary: “‘Africa’s Elephants in Danger of Extinction!’ I was stunned by the cataclysmic headlines in 1989. With the elephants’ plight uppermost in my mind, I decided to paint as large a canvas as my small studio would accommodate. Visually, the painting would ask the question,‘Where are the elephants going?’ There must be uncertainty and bleakness to symbolize the imminent tragedy. “The line of elephants winds its way over the ridge, perhaps traveling from a lush valley into a dry, inhospitable environment epitomized by a tree’s skeleton and sparse tufts of sun- bleached grass struggling for survival in the infertile ground. Perhaps only in such a stark wilderness can the last of the elephants survive the predations of man. ”Twenty years later, elephants are still at risk for extinction, but there have been some steps in the right direction: shortly after Simon Combes read those alarming headlines, the United States government imposed a ban on commercial import of elephant ivory and many other countries followed suit.Unfortunately, the elephants are not safe as yet and it is up to us to protect them and their habitat..

The Last Elephants MUSEUM EDITION ON Canvas by Simon Combes is signed by the artist and comes with a certificate of authenticity.

Simon Combes bio

"In 1940, Simon Combes was born in "Wilderness Cottageâ€¬," in Shaftsbury, England, and from that day in June, the wilderness always attracted him. His first adventures began early when, in 1946, his parents immigrated to farm in Kenya s Great Rift Valley, a magical place for a young boy. Simon loathed his years at boarding school in Nakuru and at Duke of York in Nairobi, always longing for the freedom of the bush. While managing a 2,000 acre farm when he was seventeen, he was drafted into six months compulsory military training after already applying for appointment in the Kings African Rifles. He was accepted into 4 KAR but having just finished his training was sent to Uganda where one of his duties was to teach basic etiquette and rugby to a young Idi Amin. He attended Sandhurst Military Academy and returned to Kenya to join the 3rd Kings African Rifles in time for Kenya s Independence. In 1964, Simon was chosen to form and command Kenya s elite Parachute Regiment. This involved training the first 250 paratroopers in England, and translating all the instruction books into Swahili. Their first posting back in Kenya was fighting the Shifta war in the North Eastern province. It was during this time Simon started to draw and paint as a hobby to occupy his spare time. His subjects were the Somali and Boran people and the landscapes of the North. In 1969, he held his first exhibition in Nairobi which was a sell-out on the opening night. It was then that the idea of painting full-time started. However, he was refused release from the army and was moved to army HQ as staff officer in charge of all operations and training. He was also captain of the army shooting team and vice chairman to the Kenya Rifle Association. A Major at 28 and performing the duties of a Lieutenant Colonel, his military peers remember him fondly as a "True Kenyan." Finally, in 1974, he was released from the army and started life as a professional artist. Best known for his stunning images wildlife in the African bush, he achieved worldwide success and acclamation through many prestigious awards. His paintings hang in private and museum collections around the globe. Simon s life was rich with great adventures and wildlife encounters. From being lost in a blizzard while crossing the Altai Mountains in Mongolia and flying into the jungles of Venezuela to sketching Bengal Tigers atop a howdah on a swaying elephant in India, his experiences and observations led him to develop his exacting artistic style, rendering his subjects with such depth and exquisite detail. Africa & Beyond: The Art and Adventures of Simon Combes, a retrospective exhibition of Simon s major works, was held at The Wildlife Experience Museum in 2004 to celebrate his great artistic achievements. Since 1979, The Greenwich Workshop, Inc., has published his works as Fine Art Reproductions on paper and canvas. He always said, if given the time he would rather write than paint. This talent is apparent in his books An African Experience, distributed by The Greenwich Workshop and Great Cats, published by The Greenwich Workshop, Inc. Simon was also working on a book of Limericks about life in Kenya which reveals his ability to entertain us with his wit and humor. Simon had a wonderful talent for communication, whether in speech, writing or painting. Never self assuming, he gave talks in Kiswahili to the farm staff, through a translator to school children in Russia and also to many interested groups around the world. Not only a man of the arts, but an avid conservationist as well, Simon had recently appointed Kenya Representative and Project Director for Rhino Rescue Trust. He sat on the boards of several wildlife conservation organizations and raised, through his art, many thousands of dollars for their causes. On Sunday, December 12, 2004, atop a beautiful ancient volcano near his home in Africa s Great Rift Valley, Simon s life was tragically taken by one of the wild animals he so lovingly portrayed in his paintings. He never "gathered moss" and now he has come home. He is survived by his wife Kat, his children, Cindy and Guy, his sister, Jenny all of Kenya and his former wife Susie of England. We shall remember Simon well.