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John Buxton The Agile Bark Canoe Canvas
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John Buxton The Agile Bark Canoe Canvas John Buxton


Status: In Stock Available | Condition: New | Edition:Limited Edition Canvas | Edition Size: Limited Edition Of 50 | Dim:25 inches wide by 25 inches tall | John Buxton| Item #: BU00025


Price: $ 695.00 USD..
or 3 equal layaway payments in store, with a credit card of $231.67 over 60 days.


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John Buxton The Agile Bark Canoe  Canvas is eligible for 3 equal layaway payments in store, with a credit card of $231.67 over 60 days.

Layaway Available In Store Option Schedule
4/16/2024  $231.67 1st payment
5/16/2024  $231.67 2nd payment
6/15/2024  $231.67 3rd & final payment
payments are automatically deducted from your credit card.

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Available for purchase today, April  16, 2024
No Sales Tax Except In The State Of Florida.



As an option you may also pay for John Buxton The Agile Bark Canoe  Canvas using Paypal or with your Amazon Account(*select items). Please note that all orders must be delivered to a physical address verified by Paypal or Amazon. .

The Agile Bark Canoe
LIMITED EDITION CANVAS - BU00025

NOTES: The Native People of the Eastern Woodlands built two types of canoes: dug-outs, fashioned from tree trunks, and more lightweight canoes made of bark, preferably birch since it was easier to form. The men in The Agile Bark Canoe are in hunting canoes of a style attributed to the PassamaquoddyΒ»but perhaps these Indians traded for them, as was done frequently. They were as light as an autumn leaf upon water, with the ability to navigate rivers, shallow streams, marshes and moderate rapids. Being extremely light enabled easy portage between waterways and yet they were capable of carrying heavy loads. A canoe this size (12 feet long by 30 inches wide at its center) could be lifted with one hand and was very stable when fully loaded. The bark canoe was fast and infinitely more versatile than any small craft of the European settlers..

The Agile Bark Canoe  Canvas by John Buxton  is signed by the artist and comes with a certificate of authenticity.

image Copyright © 2024 by John Buxton

John Buxton bio

"John Buxton was born in the small southern town of Oxford, North Carolina. He excelled at art from childhood. After two years of general college in his home state, he earned his art degree from the Art Center College of Design in Los Angeles, California. He was a successful illustrator for 31 years, working in Detroit, Cleveland and Pittsburgh. During this time, he illustrated two books for the National Geographic Society and developed a fascination with documentation and truth in art. In 1994 he left illustration and began painting subjects more personal to his interests. Buxton soon began exhibiting his painting, placing two works in the Birds in Art show at the Leigh Yawkey Woodson Art Museum. Northlight Books later reproduced these two paintings in The Best of Wildlife Art 2 by Rachel Rubin World. He entered, and placed in the Top 100 in the Arts For The Parks competition. The Society of Animal Artists elected him to membership and invited him to show in their national exhibitions. He exhibited with the American Academy of Equine Artists before settling into his true niche: Historical Art. Buxton s historical images of the 18th century often depict scenes from the birth of our nation, allowing the viewer to witness momentous events or experiences from everyday life of the frontier. Many historical sites display Buxton s extensively researched works and several documentary films have been aired that featured his paintings. Buxton s paintings are available as a CD Teaching Aid for educators wishing to give students a more intimate view of America s historical heritage, effectively making history come alive. His original paintings and commissioned works are in great demand. Buxton exhibits his original art at Settlers West Galleries in Arizona, Gallery One of Ohio and Lord Nelson s Gallery in Gettysburg. Buxton has shown his artwork at the Gilcrease Museum and his largest painting; a life-size standing portrait of Abraham Lincoln hangs in a place of honor at the National Civil War Museum.

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