John Buxton Ambush 1725 at Lovewell Pond Master Works Edition On Canvas

Name: John Buxton Ambush 1725 at Lovewell Pond Limited Edition Western Art
Brand: John Buxton
SKU: BU00032
Price: 950 USD
Availability: InStock
Rating: 5 (3 reviews)

Price: $ 950.00 USD..

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9/16/2025 $316.67 1st payment
10/16/2025 $316.67 2nd payment
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Art Terminologies

Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques

Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.

Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.

Remarque – Additional enhancements by the artist on some or all of the final prints within an edition

Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.

“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.

Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.

Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.

… learn more Click here for more Art Terms

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John Buxton Ambush 1725 at Lovewell Pond Master Works Edition On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $316.67 made every 30 days over a period of three months. US & Canada orders only.

John Buxton is a renowned historical fine artist, best known for his realistic depictions of 18th-century American frontier life. His artwork, meticulously researched and historically accurate, brings to life the events and people of the French and Indian War, Native American history, and Colonial America. With a background in commercial illustration, Buxton transitioned to fine art, creating dynamic and immersive historical scenes that capture the essence of Americaâ€™s early conflicts and cultural interactions. His collectible fine art prints and original paintings are highly sought after by history enthusiasts and art collectors, preserving the rich heritage of the American Revolution and frontier life.

Ambush 1725 at Lovewell Pond
MASTERWORK CANVAS EDITION - BU00032

NOTES: Artist John Buxton’s new Fine Art Edition depicts the calm before the storm of an American Indian surprise attack on militiamen. Captain John Lovewell of New England, a ranger and renowned scalp hunter, died on May 8, 1725 as he led a third expedition against the Abenaki Indians in an area now known as Fryeburg, Maine. A number of colonial militiamen and Abenaki Native Americans, including a notorious war chief named Paugus, also died in the engagement which marked the end of hostilities between the Abenaki and the white colonists in this part of the colonies.

More than 100 years later, the event was immortalized in a poem The Battle of Lovell's Pond, by Henry Wadsworth Longfellow, author of Paul Revere's Ride, and The Song of Hiawatha.

One of the verses reads:
The warriors that fought for their country, and bled,
Have sunk to their rest; the damp earth is their bed,
No stone tells the place where their ashes repose,
Nor points out the spot from the graves of their foes.

I'm a historical artist. I don't claim to be a historian, said Buxton who is known for his painstaking research into every detail. He hired a Maine historian to help him explore the banks of what is now Lake Lovewell in Maine. They canoed the lake and saw the actual sites of Captain Lovewell’s exploits. Buxton noted the steep slope of the bank, the vegetation and fully imagined the scene that eventually took shape on his canvas. The original painting was commissioned by a direct descendant of Captain John Lovewell. Now you, too, can own a piece of this remarkable Colonial New England history.
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Ambush 1725 at Lovewell Pond Master Works Edition On Canvas by John Buxton is signed by the artist and comes with a certificate of authenticity.

John Buxton bio

"John Buxton was born in the small southern town of Oxford, North Carolina. He excelled at art from childhood. After two years of general college in his home state, he earned his art degree from the Art Center College of Design in Los Angeles, California. He was a successful illustrator for 31 years, working in Detroit, Cleveland and Pittsburgh. During this time, he illustrated two books for the National Geographic Society and developed a fascination with documentation and truth in art. In 1994 he left illustration and began painting subjects more personal to his interests. Buxton soon began exhibiting his painting, placing two works in the Birds in Art show at the Leigh Yawkey Woodson Art Museum. Northlight Books later reproduced these two paintings in The Best of Wildlife Art 2 by Rachel Rubin World. He entered, and placed in the Top 100 in the Arts For The Parks competition. The Society of Animal Artists elected him to membership and invited him to show in their national exhibitions. He exhibited with the American Academy of Equine Artists before settling into his true niche: Historical Art. Buxton s historical images of the 18th century often depict scenes from the birth of our nation, allowing the viewer to witness momentous events or experiences from everyday life of the frontier. Many historical sites display Buxton s extensively researched works and several documentary films have been aired that featured his paintings. Buxton s paintings are available as a CD Teaching Aid for educators wishing to give students a more intimate view of America s historical heritage, effectively making history come alive. His original paintings and commissioned works are in great demand. Buxton exhibits his original art at Settlers West Galleries in Arizona, Gallery One of Ohio and Lord Nelson s Gallery in Gettysburg. Buxton has shown his artwork at the Gilcrease Museum and his largest painting; a life-size standing portrait of Abraham Lincoln hangs in a place of honor at the National Civil War Museum.