Fidel Garcia THE SEVENTH PROPHECY - LA SEPTIMA PROFECIA
Status: In Stock Available | Condition: New | Edition:Limited Edition | Edition Size: Limited Edition of 33 | Dim:36 X 50 | Fidel Garcia| Item #: FGSVENPROPHL
Price: $ 2,400.00 USD..
9/17/2025 $800.00 1st payment
10/17/2025 $800.00 2nd payment
11/16/2025 $800.00 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available
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Fidel Garcia THE SEVENTH PROPHECY - LA SEPTIMA PROFECIA is eligible for 3 equal layaway payments in store, with a credit card of $800.00 made every 30 days over a period of three months. US & Canada orders only.
Fidel GarcÃa is a renowned Mexican painter celebrated for his unique blend of figurative realism and abstract expressionism. His work delves into the fusion of the physical and spiritual realms, creating a harmonious balance between reality and fantasy. GarcÃa's paintings often explore themes of spirituality and metaphysics, inviting viewers to embark on a journey that transcends the tangible world. His distinctive style has earned him recognition among contemporary Mexican artists, with exhibitions in prestigious venues such as the National Museum of Spain and the Amparo Museum in Mexico. GarcÃa's art continues to captivate audiences, offering a profound commentary on the human experience.
THE SEVENTH PROPHECY - LA SEPTIMA PROFECIA - FGSVENPROPHL
NOTES: THE SEVENTH PROPHECY - LA SEPTIMA PROFECIA.
THE SEVENTH PROPHECY - LA SEPTIMA PROFECIA by Fidel Garcia is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Fidel Garcia
Fidel Garcia bio
"Art expresses the soul of humanity in our common journey across the ages." The art of Fidel Garcia blends figurative realism and abstract expressionism. His paintings call upon the viewer to experience the concurrency of our corporeal and spiritual selves, the coincidence of reality and fantasy, and the simultaneous existence of the physical and the metaphysical. Rather than simply asking for acknowledgement of these diametric forces, Garcia s paintings assist us in finding the harmony and balance between them. Each image that emerges from his evolving series of canvases explores an unexpected and uncharted inner and outer world of human imagination. Garcia visually explores illusion and reality, the dichotomy of life and the beyond, in his most recent black and white collections. In this series, Garcia explores the variety of drama between life and the afterlife, each image taking an unexpected twist into reality and then into a state of surrealism. From the foundation of his Mexican family and mentors of the dramatic history of Mexican art, Garcia has developed a unique internationally dimensional style that is imaginatively imbued with the visual power of the Renaissance artists, artist of the Spanish Baroque Diego Velazquez, American artist John Singer Sargeant, French Ecole des Beaux-Arts artist William Bourguereau, and modern artists Salvador Dali and Gustav Klimt. As with so many of the great Masters, Garcia s unique vision is an expression of his own spiritual journey. Garcia s father also had a unique artistic talent, which he sacrificed in order to provide for his wife and seven children. When Garcia s artistic ability manifested itself at the age of seven, his father supported and encouraged its development resulting in early recognition of Garcia s talent during his childhood. When he reached manhood, Garcia met and married Maria Violetta, who also supported his calling as an artist. With the pressures of providing for his young family, Garcia faced the same decision his father had faced decades earlier – whether to continue to pursue his artistic career with all of its instability and uncertainty or to abandon that calling in search of a financially stable profession. Ultimately it was the support of his father, his wife and a brush with death in a bus accident which claimed the life of his closest friend – a fellow painter who was passionate about Garcia continuing his artistic career – that convinced him that he must continue to answer his true calling. "For me, success as an artist means that I am able to live my life with creativity and joy." Over the last two decades, Garcia s unique artistic vision has gained recognition throughout his native Mexico and in Spain, resulting in numerous exhibitions, awards and museum placements including the National Museum of Spain, the Puebla Historical Museum and the Amparo Museum in Mexico. The recent introduction of Garcia s work to the United States is drawing further recognition.
