Bonnie Marris Lazy Days on the Big Crooked Canvas

Name: Bonnie Marris Lazy Days on the Big Crooked Limited Edition
Brand: Bonnie Marris
SKU: M00099
Price: 695 USD
Availability: InStock
Rating: 5 (3 reviews)

Price: $ 695.00 USD..

In Store Layaway Option Schedule

9/17/2025 $231.67 1st payment
10/17/2025 $231.67 2nd payment
11/16/2025 $231.67 3rd & final payment
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Available for purchase today, September 17, 2025 No Sales Tax Except In The State Of Florida. All products are shipped from our US Warehouses. For U.S. & Canadian Customers

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Art Terminologies

Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques

Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.

Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.

Remarque – Additional enhancements by the artist on some or all of the final prints within an edition

Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.

“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.

Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.

Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.

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Bonnie Marris Lazy Days on the Big Crooked Canvas is eligible for 3 equal layaway payments in store, with a credit card of $231.67 made every 30 days over a period of three months. US & Canada orders only.

Bonnie Marris is a renowned wildlife artist, celebrated for her vivid and lifelike portrayals of animals in their natural habitats. Her work captures the spirit of North American wildlife, from majestic wolves and powerful horses to the untamed beauty of the wilderness. As a leading equine artist, she brings realism and emotion to her nature-inspired paintings, highlighting the connection between wildlife and the natural world. With a keen eye for detail and a deep appreciation for animals, Marris' fine art paintings are treasured by collectors of contemporary nature art

Lazy Days on the Big Crooked
LIMITED EDITION CANVAS - M00099

NOTES: “Monet had his garden in Givenchy, I have the Big Crooked,” reveals Bonnie Marris. “I almost feel guilty that I paint this spot so much, but every time I go it feels like I am seeing it for the first time. It’s a real creek near my cabin in northern Michigan. It’s one of those places where the light is wonderful, the sound is wonderful and the air is magic. You can just spend hours there letting the creek flow by.
“Every time I go there is a new set of tracks from the most recent creatures to visit. Nearby, there is an active fox den. If you don’t see any when you come around, it’s a good bet that one of them just left. The creek is so crisp and clear that you can see deep into it, a great advantage for the foxes when the trout are running. I can imagine that they enjoy this place as much as I do, picking a spot to simply sit back and take it all in, just laying around listening to the Big Crooked roll.”
Bonnie Marris is recognized as one of the most important wildlife artists painting today. Her palette and style are distinctively her own, making a Marris painting identifiable from across the room. Art of the West’s November/December 2010 issue featured Bonnie as their cover story. Commenting on her blend of realistic and impressionistic painting they said,” . . . she wants the best of both worlds and seems to be finding it.”
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Lazy Days on the Big Crooked Canvas by Bonnie Marris is signed by the artist and comes with a certificate of authenticity.

Bonnie Marris bio

Bonnie Marris has taken an unusual path into art; she developed her talent by portraying animals "from the inside out." While she was a student at Michigan State University, Bonnie illustrated several major books. One volume she worked on was a leading expert s mammalogy text that contained several hundred drawings and detail studies. This massive project attracted the attention of noted zoologist George Schaller, who invited Bonnie to prepare the art for posters that would support his worldwide rare animal relief programs. Beyond academic training and emotional involvement, art requires another element for which there is no substitute: experience. Each year, Bonnie makes two major trips, and countless smaller ones, to observe and learn about the wildlife she loves. In 1980, one such voyage took her to Alaska, where she lived in the wilderness for six months. She recounts, "To get into a natural environment and see the animals on their own terms is as important as knowing the animals themselves. For instance, gray wolves on the tundraâ€”the vast, vast tundra with the wind and other forces of nature at their most extremeâ€”that s what makes them what they are. To stand not far from a grizzly that is so overpowering, so beautiful and so large . . . to watch it pull up a small tree with a swipe of its paw and just a few minutes later see it delicately picking blueberries with its black lips. . . Alaska changed me; it gave me the biggest incentive to paint and increased my interest in the predators: the cats, bears, coyotes, wolves and foxes. They exist on so many levels. Their moods show in their eyes and we can learn so much from them."