Carl Benders A Lunch Date Giclee On Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition Of 100 | Dim:Image Size: 28"w x 21"h. | Carl Benders| Item #: GWALUNCHD
Price: $ 495.00 USD..
9/17/2025 $165.00 1st payment
10/17/2025 $165.00 2nd payment
11/16/2025 $165.00 3rd & final payment
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A Lunch Date Qualifies for Free Shipping
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available
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Carl Benders A Lunch Date Giclee On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $165.00 made every 30 days over a period of three months. US & Canada orders only.
Carl Benders is a renowned wildlife artist, known for his stunningly realistic depictions of North American wildlife and breathtaking natural landscapes. His nature-inspired artwork captures the power and grace of animals, from majestic big cats to intricate bird illustrations. With a meticulous eye for detail and a deep appreciation for the wilderness, Benders creates fine art landscapes and animal portraits that resonate with collectors and nature enthusiasts alike. His collectible wildlife prints bring the beauty of the natural world into homes and galleries worldwide.
A Lunch Date - GWALUNCHD
NOTES: A Lunch Date.
A Lunch Date Giclee On Canvas by Carl Benders is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Carl Benders
Carl Benders bio
love for all creatures, from the friendly to the ferocious, is evident in his masterful attention to their every detail; nothing is overlooked. With his imagination, Brenders is able to get close enough to wild animals so that he can almost feel their textures. Consequently, his work has a tactile reality, giving us the sense of having been where even the most intrepid of field guides have not ventured. Of this ability Brenders says, "A painter is a privileged being, because in his imagination he can come very close to the animals he paints. In reality, one can never come this close to wild animals, particularly if they are predators. Brenders' insistence on anatomical perfection in his paintings stems from his philosophy that nature, itself, is perfection: "That is why I paint the way I do with so much detail and so much realism " I want to capture that perfection," he says.
