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About The Mustanger

\u003cp\u003e\u003cspan style="color: rgb(255, 42, 0);"\u003e\u003cstrong\u003eAll our prints ship rolled in a tube.\u003c/strong\u003e \u003c/span\u003e\u003c/p\u003e \u003cp\u003eInterested in having your \u003cstrong\u003ecanvas\u003c/strong\u003e arrive to you \u003cstrong\u003eframed \u003c/strong\u003eand ready to hang instead? Put one of our plein air frames in the cart with your canvas of choice. We only frame canvas, no paper prints, and must be 30" x 40" or under. "ROLLED ONLY and "STRETCHED" items are not available for framing.\u003c/p\u003e \u003cp\u003e\u003cstrong\u003e\u003cspan style="color: rgb(46, 94, 165);"\u003eStory:\u003c/span\u003e\u003c/strong\u003e\u003c/p\u003e \u003cp\u003e\u003cspan\u003eA hard riding cowboy is trailing a herd of wild mustangs into a trap in a narrow canyon in the Southwest. As soon as the horses pass the hidden gate, the rider will lock them in.\u003c/span\u003e\u003c/p\u003e \u003cp\u003e\u003cspan\u003eWild horses were extremely wary. One method of catching them was to run the herd for several days, keeping them away from their watering holes. The men would use grain fed horses and would change mounts often to keep up with the herd. With the mustangs well worn down, they would driven toward an elaborate funnel-type trap or, better yet, a narrow canyon that could be blocked off.\u003c/span\u003e\u003c/p\u003e \u003cp\u003e\u003cspan\u003eSometimes the cagey Mustang stallion would smell a trap, and days of hard work would be wasted.\u003c/span\u003e\u003c/p\u003e

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Artist Signature Signed by the artist

This piece is artist signed and includes a Certificate of Authenticity.

Image Rights

Image copyright © 2026 by Andy Thomas.

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Andy Thomas

View all work by Andy Thomas
Andy Thomas is not only an immensely talented painter, but also a storyteller with the images he creates. His subject matter consists of a variety of images from historical events to intimate moments of everyday life. The artist s desire to create is funneled into the area of painting realism that ranges from very loose to very tight. Thomas s medium is primarily oil, but he also works in watercolor, pen and ink, charcoal, pencil, and ink wash. He is also a very accomplished sculptor.

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