Sally Caldwell Fisher Art Gallery
Gallery updated on Saturday, June 20, 2026
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I was born in 1951, in Philadelphia. My sisters and brothers and I grew up in Birmingham , Michigan. Our mother was a gifted watercolorist who never had the time to pursue her own creative passion. She transferred those desires to my sister and me, who took them up almost dutifully. Our mother provided us with good materials, for which I will always thank her, as some of the real magic of painting is released through the alchemy of paint and surface.
Over the years, my style has evolved consistently, as I have evolved. Change and openness are essential to the creative spirit. I can never adequately describe my art , as it defies easy categorization. Much of it has reflected coastal New England life with an emphasis on the marine. My children were brought up in a Maine fishing village out of which my husband ran a boat fishing for lobster, bluefin tuna, urchins, and other exotic and magical creatures of the deep. All the time spent on the water has deeply affected my work.
My experiences in the world of art publication led me to branch out and explore the world of the narrative as inspired by old photographs. This offers a rich and limitless vein of possibility. I never tire of probing into the past for inspiration. I also started to create art for events, such as the America s Cup races, the Wooden Boat Shows, various parades and festivals, even the Monte Carlo Circus. My love for the artless self-composition of interacting figures and human body language have always led a light-hearted humor to the paintings, which have sometimes been called "naïve." The word "naïve" has always troubled me because I do not feel naïve. I often feel pretty cynical and let down. But I do feel a genuine affection for the people I invite into the paintings, people who are simply part of the composition, going about their business unawares, as if in snapshots.
Now, in midlife, I have experienced quite a bit of loss and change. So much so that it would be disingenuous not to change in my art .. I am returning more to landscape out of love for the beauty of the world around me. The human presence is, of course, always implied at the very least. I desire to be a strong unseen presence, involved in the scene before me. Still, never far from the whimsical, I love to paint animals and objects and people. I am more interested in being eclectic than in being easily categorized. I am no classical artist. I am a painter whose work is her greatest source of well-being.
Over the years, my style has evolved consistently, as I have evolved. Change and openness are essential to the creative spirit. I can never adequately describe my art , as it defies easy categorization. Much of it has reflected coastal New England life with an emphasis on the marine. My children were brought up in a Maine fishing village out of which my husband ran a boat fishing for lobster, bluefin tuna, urchins, and other exotic and magical creatures of the deep. All the time spent on the water has deeply affected my work.
My experiences in the world of art publication led me to branch out and explore the world of the narrative as inspired by old photographs. This offers a rich and limitless vein of possibility. I never tire of probing into the past for inspiration. I also started to create art for events, such as the America s Cup races, the Wooden Boat Shows, various parades and festivals, even the Monte Carlo Circus. My love for the artless self-composition of interacting figures and human body language have always led a light-hearted humor to the paintings, which have sometimes been called "naïve." The word "naïve" has always troubled me because I do not feel naïve. I often feel pretty cynical and let down. But I do feel a genuine affection for the people I invite into the paintings, people who are simply part of the composition, going about their business unawares, as if in snapshots.
Now, in midlife, I have experienced quite a bit of loss and change. So much so that it would be disingenuous not to change in my art .. I am returning more to landscape out of love for the beauty of the world around me. The human presence is, of course, always implied at the very least. I desire to be a strong unseen presence, involved in the scene before me. Still, never far from the whimsical, I love to paint animals and objects and people. I am more interested in being eclectic than in being easily categorized. I am no classical artist. I am a painter whose work is her greatest source of well-being.
Sally Caldwell Fisher Current Portfolio
A Day at the Races
Concert on the Green Deluxe
Rusticators Watching the Sunset
Portland Head Lighthouse,
Springfield Chamber Music Society in Light Air
Far Away Sails
Candle Walk Deluxe
City People
Spring In The Public Garden
Concert on the Green
Painting Class
The Lookout
Early Catch
Monte Carlo Cirque
Blown Off Course
Daily Chores
Ocean Club Sea Festival Deluxe
Brighton Pier
Midsummers Eve
Green Island Ferry
Island in Bloom
Monte Carlo Cirque Deluxe
Island Welcome
Pemaquid Light
Regatta Day
Swans Harbor
Balloons, Balloons Deluxe
Rusticators at Teatime
Rusticators at the Close of Day
Dreaming
To the Bride
Balloons, Balloons
The Dog Show
Recess
Candle Walk
A Day at the Races Deluxe
Courageous Captains of the Ocean Club
Ocean Club Sea Festival
Island Welcome Deluxe
Decorating the Wharf