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Stickman Standin’ at the Crossroads - Robert Johnson is eligible for 3 equal layaway payments in store, with a credit card of $166.67 over 60 days.
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Standin’ at the Crossroads - Robert Johnson - MGCROSSROADSE
NOTES: Standin’ at the Crossroads - Robert Johnson. There’s a scene in the documentary “This Might Get Loud” where Jack White sits with a record player listening to a vinyl recording of his favorite song, “Grinnin’ in Your Face” by Son House. Later in the movie, he urges viewers to go back and explore the musicians that inspired their favorite musicians. He ends the segment by stating that if you’re a fan of rock then you are on a collision course with the blues. This piece was inspired by these scenes in that documentary. This sound advice was something I’ve done long before Mr. White suggested it. As a bit of a rock historian, I’m well aware of the influence that blues has had on my favorite bands. Legends such as Muddy Waters, Howlin’ Wolf, and Robert Johnson (to name a few) are often mentioned in the history of bands such as the Stones, Zeppelin, and The Doors, among many others. Once I decided on the concept, the decision to use Robert Johnson as my blues subject was an easy one. I urge those unfamiliar with the story of Robert Johnson and the story of the crossroads to research what may be the biggest urban legend in music history. I simply cannot do the story justice in this small inspiration paragraph. The Netflix documentary “Devil at the Crossroads” does a fantastic job of outlining the legend and life of this extraordinary blues musician. .
Standin’ at the Crossroads - Robert Johnson by Stickman is signed by the artist and comes with a certificate of authenticity.
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Trevor “Stickman” Stickel specializes in icon based, pop-realism portraits that capture legendary moments, powerful ideas, and raw emotion. His work is described as gritty-yet fresh, complex-yet simple. Graduating from a Jekyll and Hyde influence early in his career, in which he divided his time between family portraits and airbrush design work on helmets and Harleys, Stickman had the epiphany to combine both styles while reading “According to the Rolling Stones”. Two weeks later he finished his first canvas portrait of Mick Jagger, aptly titled “Please allow me to introduce myself”, which forever changed the direction of his career in the art world. THE MISSION The idea or "mission" behind Stickman’s artwork is to create an artistic tribute to the music and to the musicians that have had a tremendous impact on him and many others. Historically, these tributes would have been limited to photos/posters that adorned the bedroom walls of teenagers and dorm rooms throughout adolescence. Stickman aims to create a style of art that brings these iconic figures back into our lives, and in a manner that adults can display proudly in their homes. THE CONCEPT The concept is to take a realistic portrait and juxtapose it with a background that expresses the feelings and emotions of the subject. This method also allows Stickman to explore other disciplines of art – many of his backgrounds will include abstract, expressionism, impressionism, realism, pop art, street art, surrealism and quite often a combination of these. This is where he gets to enjoy the artistic side of these pieces, while paying additional homage to some of his favorite visual artists. THE HIDDEN MESSAGES AND SYMBOLS In addition to the art itself, Stickman also adds (and quite often hides) his trademarked Stickman symbol (stick figure with devil horns) and the statement "Devil Inside" to the painting. • The Stickman symbol is derived from Stickman’s last name (Stickel) and a common phrase he hears from viewers, "I can't even draw a stick man". The horns represent rock and roll (his primary focus), which is generally regarded as the devil’s music, and references the duality of man (good vs. evil). • The statement "Devil Inside" also references this Jekyll and Hyde type of duality. Stickman often feels there is a difference between Stickman the artist and Trevor Stickel the person. When focused on a subject and working on a piece, he often gets so involved in the subject he finds himself emulating them in the way he dresses and acts, similar to a method actor. • The signature on the bottom right corner usually shows the Stickman symbol imitating the subject. THE TITLE The title of each piece is often overlooked but may very well be the most important piece of the puzzle. Stickman looks for a lyric that he believes personifies the subject or his feeling toward that subject and from there, begins to create an image and feeling that takes the viewer to that emotional state of mind. The titles are always a lyric from the subject's song but never the title of a song. If the viewer is a fan of the subject, they should almost hear the lyric or feel the emotion of the lyric when looking at the piece. Knowing the title completes the emotional connection to the painting and usually reveals a personal trait about the subject.