David Yorke Abandoned Giclee On Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition Of 25 | Dim:Image Size 28"w x 26"h. | David Yorke| Item #: GWABANDON
Price: $ 595.00 USD..
9/18/2025 $198.33 1st payment
10/18/2025 $198.33 2nd payment
11/17/2025 $198.33 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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David Yorke Abandoned Giclee On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $198.33 made every 30 days over a period of three months. US & Canada orders only.
David Yorke is a renowned Western artist, celebrated for his realistic oil paintings that capture the essence of the American frontier. His work focuses on portraying Native American life, pioneer experiences, and the rugged landscapes of the West. With a background in commercial illustration and animation, Yorke brings a unique perspective to his figurative art, emphasizing historical accuracy and emotional depth. His paintings are highly sought after by collectors and have been featured in numerous galleries and exhibitions.
Abandoned - GWABANDON
NOTES: Abandoned - "For this painting, I chose to portray three Lakota Indian scouts searching through a vacated settler's cabin, curiously containing several items left behind for unknown reasons. Finding the doll, might have stirred an immediate sense of emotion and connection, within the remnants of a rather unfamiliar culture." - David Yorke.
Abandoned Giclee On Canvas by David Yorke is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by David Yorke
David Yorke bio
David Yorke was born 1949 in New Jersey and was raised in South Florida. At a very early age, he discovered an ambition to express himself through the visual arts. His family heritage was filled with artistic influences that encouraged his creative pursuits. His formal training was in advertising design, at the University of Florida. David began his art career as a commercial illustrator/designer. His corporate art spanned about 35 years , starting in Miami as an education televison media artist, and eventually led to other creative pursuits in Georgia as a toy prototype designer/photographer, while also freelancing as a book cover illustrator. In 1995, he trained as an animation background painter with the Florida Disney Studios. This became a turning point for his career, and was helpful in further developing his skills as a painter. David worked on five animated films to his credit. In 2004, he left the corporate art world to satisfy a long desired endeavor as a gallery painter. His representational painting style and historical narrative of Native Americans and the American Western Frontier, have been the main focus for his work. Being raised in the 1950s culture of the TV western, played an important role with his fascination of Western Americana. David works from living models that he photographs, based upon his preliminary conceptual sketches. A major aspect of his work also involves extensive historical research and collecting regalia and implements that he uses for reference. David frequently constructs his own artifacts inspired from museum collections to ensure the authenticity of the period. He has Exhibited paintings in numerous shows, galleries and auctions, including The Autry National Center, Buffalo Bill Historical Center, National Cowboy & Western Heritage Museum, Altermann Galleries and Auctioneers and Settlers West Galleries. His work was first featured on the cover of Western Art Collector Magazine in 2008. He is currently represented by the Plainsmen Gallery in Dunedin, Florida. His work has been acquired internationally by private and corporate collectors, including Raymond James Financial Center in St. Petersburg, Florida, The Booth Western Art Museum and The Ella Sharp Museum of Art and History
