Madonna With Dove Blue Golden
Porcelain Figurine
H 27.5 x W 9.0
Herons Realm Covered Vase Figurine Silver Lustre
Porcelain Figurine
11.81 x 6.69 inches
Canvas Vase Flowers Tapestry
Porcelain Figurine
14.96 x 9.06 inches
Wonder Woman Defender of Truth
Giclee On Paper
IMAGE 24 x 161/2 PAPER 28 x 20
Mother Nature Artist Proof
Mixed Media Sculpture
3.5
Mother's Pride Artist Proof
Mixed Media Sculpture
11
Hercules Pegasus and Baby Hercules A Gift From The Gods Ornament
Porcelain Figurine
3 1/2
Love is in the Air
Master Works Edition On Canvas
41 inches wide by 13 inches tall
Chinese Flower Shop San Francisco 1904
Canvas
25 inches wide by 25 inches tall
Sunflowers of Castiglion Fiorentino
Master Works Edition On Canvas
37 inches wide by 31 inches tall
Rothschild Giraffe Nakuru Park
Master Works Edition On Canvas
15 inches wide by 45 inches tall
Baby's First Christmas 2000 Ornament
Porcelain Figurine
H 3.50 x W 3.25
Babys First Christmas 1992 Ornament
Porcelain Figurine
5.50 inches
About Judy Larson
Judy Larson always knew she was going to be an artist. She was surrounded by them as a child, and was particularly inspired by her father, a professional illustrator. Judy received a Bachelor of Science degree in Commercial Art from Pacific Union College in Northern California, then spent the next 17 years as a commercial artist, illustrator and art director. In 1988, influenced by her love of nature and animals, Judy devoted her time to wildlife art. Her primary focus in each of her paintings is the animal, with the horse as a recurring subject. Her unique approach to her work is through the use of scratch board--a technique that can render magnificent detail but one requiring infinite patience. Scratch board, an old, but little used medium, consists of a smooth, thin surface of hardened China clay applied to a board. The subject is then painted solidly with black India ink to create a silhouette. Now the exacting work begins, engraving the image into the surface of the artwork. While many artists use steel nibs or engraving tools, Judy prefers to work with X-acto blades, changing them ever few minutes to produce as fine a line as possible. Once the subject has been totally scratched, it is a finished black and white illustration, ready for the artist to add color. The methods of adding color are diverse. Judy prefers a combination of airbrush, gouache or acrylics for finishing, with frequent rescratching for detail. Scratch board is a demanding medium, one that Judy has used masterfully in developing her unique approach to wildlife art.