Golden Breeze Framed Anniversary Edition
$5,995.00
Editorial View
The Gallery's Perspective
You can almost hear the laughter and cautious optimism in this scene — Dorothy standing at the heart of a small, trusting circle with the Scarecrow, Tin Man and Cowardly Lion close by. The composition feels warm and companionable: Dorothy’s blue dress and ruby slippers anchor the color scheme while the metallic sheen of the Tin Man and the warm, tawny fur of the Lion provide a pleasing contrast. The yellow-brick road beneath their feet and the little dog at the foreground give the plate a narrative lift, suggesting movement and purpose without drama. Around the rim a delicate gilt border frames the image like a stage, which suits the theatrical, storybook quality of the illustration. As a collectible plate, it reads as both an affectionate snapshot from a beloved tale and a decorative object that brings a sense of comfort, camaraderie, and gentle nostalgia to a room.
The Artwork
About 1988 Wizard Of Oz We're Off To See The Wizard
This Collectors Plate was issued in 1988 through The Hamilton Collection. This plate is the first issue of eight in the " Wizard of Oz Commemorative Plate Collection" by artist Thomas Blackshear. Edition size was limited to 14 firing days and this is hand
Collector Details
What to Know About This Piece
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About the Collection
Blending elegant realism with powerful cultural narratives, each piece of fine art captures deep emotion and storytelling through masterful artistic craftsmanship. Expressive figurative art and collectible limited-edition sculptures showcase dynamic compositions rich in symbolism, highlighting themes of spirituality, history, and heritage. With dramatic lighting and intricate detail, these works bring soulful and evocative imagery to life, reflecting both modern and classical influences. Emotional depth and movement are conveyed through sculpted forms and richly textured surfaces, making each piece a testament to the power of storytelling in fine art. Whether exploring historical significance or celebrating cultural heritage, these artworks stand as timeless tributes to tradition, resilience, and artistic excellence.
Artist Signature
Signed and documented
This piece is signed by the artist and includes a Certificate of Authenticity.
Image Rights
Image copyright © 2026 by Thomas Blackshear.
Authorized Source
Authenticity & Documentation
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Limited-edition artwork includes a Certificate of Authenticity when one is issued by the artist, publisher, studio, or authorized source. Open-edition pieces may not include a certificate; this does not affect their authenticity. The Collection Shop sources artwork through artists, publishers, authorized distributors, galleries, and other approved channels. Any additional documentation included with this specific piece will be noted above.
THOMAS BLACKSHEAR II, the son of an Air Force captain, was born in Waco, Texas, and grew up in Atlanta, Georgia. "Drawing was all I ever liked to do," he says. "While all the other guys were playing baseball or basketball, I was in my house, drawing." He pursued an interest in art throughout high school, securing a scholarship to the Art Institute of Chicago. After a year there, he transferred to the nearby Academy of Art. While finishing his college education, he was recruited by Hallmark Cards and later became the apprentice of illustrator Mark English.
Blackshear settled in Kansas City, where he became head illustrator at the prestigious Godbold/Richter Studio. A year later, he began a prosperous freelance career, illustrating many advertisements, several U.S. Postal Service stamp collections - one called "Black Heritage," another on classic movies, and a third on jazz musicians - and several series of Hamilton Group collector s plates featuring scenes from Star Wars, Star Trek, and The Wizard of Oz. Although he was successful, he was dissatisfied and decided to pursue a career in fine art.
Blackshear has received many awards for his artwork, including the Society of Illustrators coveted Gold Medal. He was profiled on The Living Canvas, an art magazine of the airwaves that was shown on public television, and he has been featured on the Ebony/Jet Showcase and The 700 Club, and in The Saturday Evening Post. An exhibit of his original works for the Black Heritage stamp series premiered in 1992 at the Smithsonian s National Museum of American History and subsequently toured the United States.
Browse and enjoy the great African American Art work from one of Today's most collected African American Artists, Thomas Blackshear..
Blackshear settled in Kansas City, where he became head illustrator at the prestigious Godbold/Richter Studio. A year later, he began a prosperous freelance career, illustrating many advertisements, several U.S. Postal Service stamp collections - one called "Black Heritage," another on classic movies, and a third on jazz musicians - and several series of Hamilton Group collector s plates featuring scenes from Star Wars, Star Trek, and The Wizard of Oz. Although he was successful, he was dissatisfied and decided to pursue a career in fine art.
Blackshear has received many awards for his artwork, including the Society of Illustrators coveted Gold Medal. He was profiled on The Living Canvas, an art magazine of the airwaves that was shown on public television, and he has been featured on the Ebony/Jet Showcase and The 700 Club, and in The Saturday Evening Post. An exhibit of his original works for the Black Heritage stamp series premiered in 1992 at the Smithsonian s National Museum of American History and subsequently toured the United States.
Browse and enjoy the great African American Art work from one of Today's most collected African American Artists, Thomas Blackshear..
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