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About Trying to Figure it Out - Bass Player Tribute

Trying to Figure it Out - Bass Player Tribute. "I guess the first seed of inspiration for this piece was planted awhile back with a new release by the English two-piece band, Royal Blood. For those who aren’t familiar with the band, their sound is anchored by a unique bass playing technique in which they use various pedals and multiple amps to make the electric bass sound like a standard electric guitar and bass at the same time. This led to a conversation about bass players and the fact that they are underrepresented in my portfolio. The conversation brought up the almost mystic ability of Cliff Burton (Metallica), the mythology surrounding Sid Vicious (Sex Pistols), and musicians whose fame had grown so far beyond music that most people would not even realize they played bass–such is the case with Roger Waters and Paul McCartney. I have always had a soft spot for the instrument due to the style and attitude one could portray simply by how low they slung it–see one of my rock idols, Mr. Nikki Sixx, as evidence of this. And of course, no bass guitar discussion would be complete without talking about the assault brought on by one Lemmy Kilmister and his signature Rickenbacker. I wanted this piece to portray more of a style and attitude rather than focus on a singular bass player as a reference. The ambiguity of my approach to this piece allowed me to pay tribute to all aforementioned bass players, plus the hundreds more worthy of notice. To close the circle, the title was chosen from a Royal Blood lyric and seemed to fit the song writing feel of the piece." -Stickman

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About the Collection

Blending minimalist design with expressive storytelling, these stick figure compositions use simple yet dynamic lines to convey emotion, movement, and narrative depth. With a playful yet thought-provoking artistic style, each piece transforms basic forms into powerful visual storytelling, creating abstract yet deeply relatable scenes. Featuring energetic, modern conceptual artwork, these narrative-driven illustrations rely on strong composition and minimal forms to evoke humor, introspection, and emotion. Whether depicting whimsical, symbolic, or deeply expressive themes, this unique approach to contemporary figurative minimalism proves that simplicity can be both engaging and profoundly impactful in fine art.

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Stickman

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Trevor “Stickman” Stickel specializes in icon based, pop-realism portraits that capture legendary moments, powerful ideas, and raw emotion. His work is described as gritty-yet fresh, complex-yet simple. Graduating from a Jekyll and Hyde influence early in his career, in which he divided his time between family portraits and airbrush design work on helmets and Harleys, Stickman had the epiphany to combine both styles while reading “According to the Rolling Stones”. Two weeks later he finished his first canvas portrait of Mick Jagger, aptly titled “Please allow me to introduce myself”, which forever changed the direction of his career in the art world. THE MISSION The idea or "mission" behind Stickman’s artwork is to create an artistic tribute to the music and to the musicians that have had a tremendous impact on him and many others. Historically, these tributes would have been limited to photos/posters that adorned the bedroom walls of teenagers and dorm rooms throughout adolescence. Stickman aims to create a style of art that brings these iconic figures back into our lives, and in a manner that adults can display proudly in their homes. THE CONCEPT The concept is to take a realistic portrait and juxtapose it with a background that expresses the feelings and emotions of the subject. This method also allows Stickman to explore other disciplines of art – many of his backgrounds will include abstract, expressionism, impressionism, realism, pop art, street art, surrealism and quite often a combination of these. This is where he gets to enjoy the artistic side of these pieces, while paying additional homage to some of his favorite visual artists. THE HIDDEN MESSAGES AND SYMBOLS In addition to the art itself, Stickman also adds (and quite often hides) his trademarked Stickman symbol (stick figure with devil horns) and the statement "Devil Inside" to the painting. €¢ The Stickman symbol is derived from Stickman’s last name (Stickel) and a common phrase he hears from viewers, "I can't even draw a stick man". The horns represent rock and roll (his primary focus), which is generally regarded as the devil’s music, and references the duality of man (good vs. evil). €¢ The statement "Devil Inside" also references this Jekyll and Hyde type of duality. Stickman often feels there is a difference between Stickman the artist and Trevor Stickel the person. When focused on a subject and working on a piece, he often gets so involved in the subject he finds himself emulating them in the way he dresses and acts, similar to a method actor. €¢ The signature on the bottom right corner usually shows the Stickman symbol imitating the subject. THE TITLE The title of each piece is often overlooked but may very well be the most important piece of the puzzle. Stickman looks for a lyric that he believes personifies the subject or his feeling toward that subject and from there, begins to create an image and feeling that takes the viewer to that emotional state of mind. The titles are always a lyric from the subject's song but never the title of a song. If the viewer is a fan of the subject, they should almost hear the lyric or feel the emotion of the lyric when looking at the piece. Knowing the title completes the emotional connection to the painting and usually reveals a personal trait about the subject.

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