Skip to main content
Authentic Fine Art, Sculpture & Collectibles

About Boys to Men

Boys to Men

Boys to Men Young colts don"t leave the herd of their own volition; they are forced out so that they do not become a challenge to the main stallion, their father. These young bachelors will band together for protection, companionship and for the opportunity to practice their fighting skills so that one day, they can challenge a herd stallion and steal away mares for their own harem. Their years in the bachelor herd are those years between their youth and adulthood, from the "terrible twos" onward. These boys will continually act up among themselves, out for domination of this all-male band. Judy shows this group engaged in such play and has hidden in each horse"s coat a reflection of itself as the foal he once was. Concealed imagery has long been a hallmark of Judy Larson"s intricate scratchboard art, the second part to any story she tells in a painting. But not since 2011 has she combined both this hidden story and her beloved horses. No medium demands more planning and precision in execution, yet her subjects are alive with a freedom of form that redefines those limitations. That skill combined with a passion for the wilderness and all things wild makes owning a Larson an essential part of any art collection.

What to Know About This Piece

Product-specific details, edition information, provenance, and special considerations are shown here when applicable.

About the Collection

Judy Larson's contemporary portraiture blends abstract portrait art with emotional expression, offering a unique approach to figurative abstraction. Her mixed media portraiture captures the essence of the human form through vibrant color, textured paintings, and dynamic compositions. Larson's work delves into the psychological depth of her subjects, creating psychological portraits that speak to the viewer on a personal and emotive level. Through her use of expressive color and innovative techniques, she explores the complexity of human identity and emotion, turning the traditional portrait into a modern, conceptual work of art. Her modern figurative art invites viewers to explore the intersection of color, texture, and form in powerful visual narratives.

Artist Signature Signed by the artist

This piece is artist signed and includes a Certificate of Authenticity.

Image Rights

Image copyright © 2026 by Judy Larson.

Authorized Source
Authorized Dealer for Judy Larson
Authenticity & Documentation Buy with confidence

Limited-edition artwork includes a Certificate of Authenticity when one is issued by the artist, publisher, studio, or authorized source. Open-edition pieces may not include a certificate; this does not affect their authenticity. The Collection Shop sources artwork through artists, publishers, authorized distributors, galleries, and other approved channels. Any additional documentation included with this specific piece will be noted above.

Judy Larson

View all work by Judy Larson
Judy Larson always knew she was going to be an artist. She was surrounded by them as a child, and was particularly inspired by her father, a professional illustrator. Judy received a Bachelor of Science degree in Commercial Art from Pacific Union College in Northern California, then spent the next 17 years as a commercial artist, illustrator and art director. In 1988, influenced by her love of nature and animals, Judy devoted her time to wildlife art. Her primary focus in each of her paintings is the animal, with the horse as a recurring subject. Her unique approach to her work is through the use of scratch board--a technique that can render magnificent detail but one requiring infinite patience. Scratch board, an old, but little used medium, consists of a smooth, thin surface of hardened China clay applied to a board. The subject is then painted solidly with black India ink to create a silhouette. Now the exacting work begins, engraving the image into the surface of the artwork. While many artists use steel nibs or engraving tools, Judy prefers to work with X-acto blades, changing them ever few minutes to produce as fine a line as possible. Once the subject has been totally scratched, it is a finished black and white illustration, ready for the artist to add color. The methods of adding color are diverse. Judy prefers a combination of airbrush, gouache or acrylics for finishing, with frequent rescratching for detail. Scratch board is a demanding medium, one that Judy has used masterfully in developing her unique approach to wildlife art.

Questions before adding this piece to your collection?

We are happy to help with availability, shipping, edition details, or purchasing questions.