James Coleman Waiting for Dopey Hand-Embellished Giclee on Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Hand-Embellished Giclee on Canvas | Edition Size: Limitd Edition of 195 | Dim:24 X 18 | James Coleman| Item #: CEWFDOPEY
Price: $ 695.00 USD..
9/18/2025 $231.67 1st payment
10/18/2025 $231.67 2nd payment
11/17/2025 $231.67 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available
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James Coleman Waiting for Dopey Hand-Embellished Giclee on Canvas is eligible for 3 equal layaway payments in store, with a credit card of $231.67 made every 30 days over a period of three months. US & Canada orders only.
James Coleman is a celebrated fine art painter and former Disney background artist, known for his impressionist style and luminous color palettes. Having contributed to iconic animated films like The Little Mermaid, Beauty and the Beast, and The Fox and the Hound, Coleman transitioned into fine art, where he now creates breathtaking landscape paintings. His work captures romanticized nature scenes, coastal scenery, and fantasy landscapes, bringing a sense of tranquility and wonder to collectors worldwide. Coleman's collectible art prints remain highly sought after, blending animation-inspired storytelling with fine art craftsmanship.
Waiting for Dopey - CEWFDOPEY
NOTES: Waiting for Dopey.
Waiting for Dopey Hand-Embellished Giclee on Canvas by James Coleman is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by James Coleman
James Coleman bio
James Coleman - a name synonymous with sweeping skies, tropical rain forests, rich deep woods and silent deserts. The images created by this talented man continue to delight all that view them. James Coleman was born in Hollywood, California in 1949. As a youth, his creative abilities seemed to dominate his world. Though he lacked the athletic skills of his young friends, he more than made up for it with imagination and ingenuity. As a young man, his interest in filmmaking and fine art would mark the beginning of a long, successful career in animated films. Coleman began his career with Walt Disney Studios in the summer of 1969, when his mother, who had been working as a secretary with Disney since the Hyperion days, got him a job in the studio's mailroom. His big break came when he entered one of his paintings in the studio art show. Several of the Disney artists viewing his work, saw his potential and realized he had an untapped ability and encouraged him to go into animation background painting. Walt Disney Productions welcomed his creative energies. His first film, "Winnie, the Pooh and Tigger, too", sparked his interest not only in painting backgrounds but also in background design and color styling. After completing, "The Rescuers", his first feature film, he was promoted to Background Department Supervisor, a position he held for nearly seventeen years. During that time, he personally hired and trained a select group of artists, whom he would work with for most of his career at Disney. While at Disney, James styled and worked on twelve films and over thirty short subjects which included "Mickey's Christmas Carol", "The Fox and the Hound", "The Great Mouse Detective", "The Black Cauldron", "The Little Mermaid", and Academy Award-winning, "Beauty and the Beast". All of which came to life with James Coleman's background images gracing the silver screen. In 1991, after twenty-two years with Disney, James left to pursue a new career. He was ready to devote all of his time and talent to the love of his life, fine art. Today he continues to illuminate the art world with vibrant colors, gentle moods, powerful design and exquisite detail. Coleman works in oil, watercolor, gouache and pastel. His work is impressionistic and luminous. His pieces intrigue the eye and touch the heart. His paintings are warm, inviting and unique. A master of color, light and design, Coleman has become one of the most collected and sought after artists around the world. James Coleman pieces can be found in many fine, personal and corporate collections including that of the Disney family. Coleman is a naturalist and environmentalist who involve himself with the National Parks and other environmental organizations. He has been a finalist for five years in the Arts for the Parks competition. The contribution made by Coleman to the world of art over some thirty years, both in film and fine art, makes him one of the most collected artists in contemporary art. His work is represented by some of the most prominent and respected galleries in North America, the Orient and the Hawaiian Islands.
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