William Phillips Westbound A Date with the General Canvas

Name: William Phillips Westbound A Date with the General Limited Edition
Brand: William Phillips
SKU: BP00141
Price: 1295 USD
Availability: InStock
Rating: 5 (3 reviews)

Price: $ 1,295.00 USD..

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9/18/2025 $431.67 1st payment
10/18/2025 $431.67 2nd payment
11/17/2025 $431.67 3rd & final payment
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Art Terminologies

Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques

Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.

Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.

Remarque – Additional enhancements by the artist on some or all of the final prints within an edition

Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.

“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.

Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.

Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.

… learn more Click here for more Art Terms

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William Phillips Westbound A Date with the General Canvas is eligible for 3 equal layaway payments in store, with a credit card of $431.67 made every 30 days over a period of three months. US & Canada orders only.

Aviation art meets nostalgic American landscapes in finely detailed compositions that capture the beauty of flight and historical moments. With a focus on military aviation fine art and vintage aircraft scenes, each painting showcases the precision and drama of flight through masterful realism. From WWII aircraft artwork to classic flight illustrations, these works bring aviation history to life with dynamic sky compositions and rich, atmospheric detail. Patriotic landscape art blends aviation heritage with timeless settings, preserving the legacy of historic air combat and peaceful moments in aviation history. Whether depicting soaring aircraft or flight-inspired landscapes, these paintings combine technical accuracy with artistic emotion, creating a compelling tribute to the golden age of aviation.

Westbound: A Date with the General
LIMITED EDITION CANVAS - BP00141

NOTES: “When we get to Chunking, I’m going to give you all a party that you won’t forget,” was Lt. Colonel James Doolittle’s promise to the 16 B-25 crews aboard the USS Hornet a few days before their historic air raid on Japan. By late afternoon on April 18th, 1942 the relative safety of the China coast was all that Lt. Donald G. Smith’s crew had on their minds. The 15th aircraft (# 40-2267) to leave the carrier’s deck had bombed its targets in Kobe, Japan but the crewmen knew they’d never make their designated landing strip on the Chinese mainland. The weather had become increasingly worse and visibility had dropped to zero. Lt. Smith was forced to ditch his bomber off an island on the Chinese Coast near Sangchow.

All of Aircraft 15’s crew would eventually make their way to Chunking but sixteen of the other Doolittle’s Raiders did not. Doolittle himself would rise to the rank of full General. It is the stuff of aviator legend that when the last Raider makes his final flight westward into the day’s fading light he will be greeted by his fellow Raiders and the General and they will have a party never to be forgotten.

When Bill Phillips painted The Giant Begins to Stir, he embarked on an artist’s journey that grew to become a visual history of the United States’ response to the Japanese bombing of Pearl Harbor: Lieutenant Colonel Jimmy Doolittle’s air raid on Japan launched, for the first time ever, from the sea. The Greenwich Workshop limited edition of The Giant Begins to Stir (co-signed by surviving Doolittle Raiders) was followed by I Could Never Be So Lucky Again (co-signed by Jimmy Doolittle) and Evasive Action at Sagami Bay, (co-signed by surviving Doolittle Raiders.) The final painting in this series is Westbound: A Date with the General, illustrates the dramatic flight of Lt. Smith’s Crew #15. The limited edition print and canvas have both been signed by Maj. Gen. USAF David Jones, (Ret.), Col. USAF William Bower, (Ret.), Lt. Col. USAF Richard Cole, (Ret.), Lt. Col. USAF Edward Saylor, (Ret.), Navigator Charles Ozuk, Jr., Navigator Thomas Griffin, MSgt USAF Edwin Horton Jr., (Ret.) and Engineer Gunner David Thatcher.

“Why chronicle any historical event?” asks artist Bill Phillips. Because paintings like Westbound: A Date with the General,' he says, “help us to understand the times in which we live. Remembering the sacrifices of brave men and women help us to be more aware of how we should view this great country and the freedoms we so often take for granted.”

In an interesting aside, Bill Phillips’ father, a character actor in Los Angeles in the 1940s and ’50s, played a pilot in the film 30 Seconds Over Tokyo, as well as in Dive Bomber, and as Sergeant Kirby in A Yank in Korea..

Westbound A Date with the General Canvas by William Phillips is signed by the artist and comes with a certificate of authenticity.

William Phillips bio

"Phillips grew up loving art but never thought he could make it his livelihood. At college he majored in criminology and had been accepted into law school when four of his paintings were sold at an airport restaurant. That was all the incentive he needed to begin his work as a fine art painter. Bill Phillips is now a renowned aviation artist and the landscape artist of choice for many collectors. Bill's strengths as a landscape painter, a respect and reverence for a time and place, help him when painting aviation as well as classic landscapes. Phillips often spends days observing landscape subjects. Finding companionship with the land, he is able to convey the boundlessness of nature on the painted canvas inspiring a reverence for the natural landscape in its beholders. After one of his paintings was presented to King Hussein of Jordan, Phillips was commissioned by the Royal Jordanian Air Force. He developed sixteen major paintings, many of which now hang in the Royal Jordanian Air Force Museum in Amman. The Smithsonian Institution s National Air and Space Museum presented a one-man show of Phillips work in 1986. He is one of only a few artists to have been so honored. In 1988, Phillips was chosen to be a U.S. Navy combat artist. For his outstanding work, the artist was awarded the Navy s Meritorious Public Service Award and the Air Force Sergeants Association s Americanism Medal. At the prestigious annual fund raiser for the National Park Service, Bill s work has been included in the Top 100 each year he has entered the competition and his work has won the Art History Award twice. Phillips was selected as the Fall 2004 Artist in Residence at the North Rim of the Grand Canyon and tapped by the U.S. Postal Service to paint the stamp illustrations and header design for a pane of twenty stamps in 1997 entitled Classic American Aircraft. He was chosen again in 2005 for a pane of twenty stamps (ten designs) entitled American Advances in Aviation."