The Light Gatherer Large Wall Art
$1,296.00
Editorial View
The Gallery's Perspective
Three arresting portraits stand side by side like a conversation about accomplishment and appetite for recognition. Each woman is pictured in an exaggerated, elegant silhouette—high coiffures, elongated necks, and period dress—yet their expressions are wry rather than grandiose, which gives the series a playful, uncanny charm. The central panel’s warm yellow and lush patterning feels exuberant and celebratory, while the flanking portraits use cooler teal and terracotta grounds to make their gestures and accessories read like personal emblems. Feathers and odd botanical hats recur across the triptych, sometimes sprouting boldly, sometimes held delicately, suggesting both pride in achievement and a gentle self-awareness about it. Samantha Long’s stylized faces and refined color choices make these figures feel like witty, modern-day satirists in historical dress—at once ornamental and quietly thoughtful—inviting you to smile at ambition while recognizing the awkwardness that often accompanies recognition.
The Artwork
About Another Feather in Her Cap
I love idioms. It's funny to me how each language cultivates their own unique turns of phrase and how the meanings can change over time. The history of the phrase, "another feather in your cap," begins in the 17th century with a negative connotation; a feather in your cap was seen a sign of foolishness. By the 18th century (possibly due to the more widespread use of plumage on one's garb) this has turned into a positive phrase of praise. I incorporate both meanings of this idiom into my collection of little paintings. Each of these women is adding yet another achievement to their long lists of accolades. Is it vain? I suppose it can be. It doesn't have to be, though. We each in our own way improve and develop and grow and add, as it were, feathers to our caps. Each little painting's design is based on a different shape: triangle, oval, and rectangle, suggesting that each person's accomplishments are unique to them. The new feathers do not match the preexisting array of feathers. This says two things. Firstly it highlights the celebration we feel over each new achievement. Secondly it describes how foreign a new victory can feel. I myself have a sort of love/hate relationship with praise and success. Naturally I work for and crave it, but I also feel a strange sense of alienation from the thing once it is achieved. Will each woman's feather eventually blend in with the others, or will it become a crowning centerpiece of her work? Will she accept this new addition, or will she cast it away?
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Image Rights
Image copyright © 2026 by Samantha Long.
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Samantha Long is an artist who loves patterns, bright colors, and whimsy. She started taking art lessons at the age of 10 with fine artist Monique DeWitt and continued with art through high school. It wasn’t until Samantha was chosen as a Sterling Scholar for Fine Art, however, that she started taking art more seriously. After taking her art portfolio over to Bob Barrett and receiving an invitation to study with his department, Samantha decided to study Illustration at Brigham Young University under Christopher Thornock, Robert Barrett, and Bethanne Andersen. “I did Illustration not because I intended to do illustration— quite the contrary, actually; I hate being told what to paint. I did it because the program taught me how to draw. If you can draw, you can tackle pretty much anything— in art and life.”
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