Paul Calle In the Valley of the Grand Tetons
Status: In Stock Available | Condition: New | Edition:Limited Edition | Edition Size: Limited Edition of 180 | Dim:35 X 25 | Paul Calle| Item #: GWGTETONS
Price: $ 975.00 USD..
9/17/2025 $325.00 1st payment
10/17/2025 $325.00 2nd payment
11/16/2025 $325.00 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Paul Calle In the Valley of the Grand Tetons is eligible for 3 equal layaway payments in store, with a credit card of $325.00 made every 30 days over a period of three months. US & Canada orders only.
Blending Western historical realism with masterful storytelling, these detailed and immersive frontier paintings bring pioneers, mountain men, and legendary explorers to life through dramatic compositions and meticulous craftsmanship. Featuring highly detailed pencil and ink illustrations alongside powerful oil paintings, each work captures the resilience, determination, and spirit of early American explorers. With a focus on rugged landscapes, historically accurate depictions, and expressive character studies, these paintings serve as a timeless tribute to the legacy of the American frontier. Whether portraying Lewis and Clark’s expeditions, fur traders navigating uncharted territories, or the raw beauty of the untamed West, these richly detailed artworks celebrate America’s pioneering heritage with authenticity and artistic brilliance.
In the Valley of the Grand Tetons - GWGTETONS
NOTES: In the Valley of the Grand Tetons. Calle is a master of both the oil painting and the pencil drawing. His drawings - often very large - show incredible control and sensitivity; they have the quality of fine etchings. Few contemporary artists have attained greater mastery of the pencil than Calle. Calle's oil paintings, finely detailed panoramic landscapes of the majestic West, often take several years to complete. His work has been the subject of two books: The Pencil and Paul Calle - An Artist's Journey, winner of the Benjamin Franklin Award for Fine Arts..
In the Valley of the Grand Tetons by Paul Calle is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Paul Calle
Paul Calle bio
Paul Calle was a master of both the oil painting and the pencil drawing. His drawings — often very large — showed incredible control and sensitivity; they had the quality of fine etchings. Few contemporary artists had attained greater mastery of the pencil than Calle, who shared his skills in his book, The Pencil, a record of his odyssey as "an artist with a pencil." It has been translated into French, Chinese and Russian. Calle's oil paintings, finely detailed panoramic landscapes of the majestic West, often took several years to complete. Another book of his art, Paul Calle: An Artist's Journey was awarded the prestigious Benjamin Franklin Award for Fine Arts in 1993. Here was an Artist whose career strongly reflected the dramatic era in which he lived and worked. Paul lived in Connecticut, but when he was chairman of the Department of Interior's 'Artist in the Parks' program, Paul traveled widely throughout the West. According to Paul, "The portrayal of Western Art is not a romantic adventure, but a realistic challenge - a personal commitment to portray America’s past." Calle‘s magnificent art portrayed the human spirit, paying tribute to the trailblazers. Whether it was the first astronauts or those largely forgotten and unsung heroes, the North American trappers of the early 1800's. These were the men who blazed trails through mountains, navigated unnamed rivers, and trapped in lonely streams and meadows. Despite their rough existence, they carried the Bible and Shakespeare with them to read around the campfire at day's end. They lived solitary lives, and most of them died unknown, before the age of 35, with records of their exploits, discoveries and stories unrecorded. The style of Calle celebrated their quiet courage and rugged dignity amid the frontier wilderness. Not only was he able to envision how scenes from their lives might have looked, but he rendered his visions with elaborate detail and historical accuracy. His art filled a void in our visual history. With his pencils and his oils, he captured scenes that preceded film, with results that no camera could ever duplicate. NASA recognized Calle‘s unique ability to interpret history. In the sixties, he was commissioned to document America's early space missions. Millions witnessed those historic moments when man first set foot on the moon. They watched as shadowy black-and-white images of the astronauts bobbed across their televisions in 1969. But with his mind's eye, Calle saw the moment in color. His painting, "The Great Moment" conveys its magnitude, capturing not only the image, but the emotion as well. He chronicled many behind the scenes space launch images and captured for posterity artistic interpretations of the events to give a human touch to the mechanical photos and video. He was the only artist allowed to shadow the Apollo 11 crew on the morning of their launch of this historic flight, resulting in a portfolio the cameras never saw. Calle painted man in relation to his environment, moments when man pauses, alone, to consider his surroundings. "The faces tell the story," he said. Like a good book, the art of Paul Calle draws you in, to experience the moment. "My paintings convey a certain period of history. Collectors tell me that they feel that they could be there; that they could be sitting around the campfire in 'Fireside Companions' or in the scene with 'The Storyteller of the Mountains'. They're buying an emotional feeling. I convey what I see, and it attracts them to my work." His painstaking attention to detail involved hours of research, collecting historic artifacts and retracing the footsteps of his subjects, all before committing the scene to pencil on paper or oil on panel. Still, Calle, a disciplined artist and a perfectionist, was never completely satisfied with his spectacular results.
