Morgan Weistling Crossing The Cheyenne River Summer 1850 Artist Proof
Status: In Stock Available | Condition: New | Edition:Artist Proof | Edition Size: Artist Proof | Dim:35" x 21" | Morgan Weistling| Item #: GW00119CLE
Price: $ 995.00 USD..
9/13/2025 $331.67 1st payment
10/13/2025 $331.67 2nd payment
11/12/2025 $331.67 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Morgan Weistling Crossing The Cheyenne River Summer 1850 Artist Proof is eligible for 3 equal layaway payments in store, with a credit card of $331.67 made every 30 days over a period of three months. US & Canada orders only.
Morgan Weistling is a celebrated artist known for his masterful figurative painting and dedication to American realism. His fine art captures the essence of Western art and historical painting, bringing scenes of pioneer life to life with remarkable attention to light and shadow. Through oil painting, Weistling blends impressionistic realism with expressive brushwork, creating dynamic, emotionally rich narratives that reflect cultural heritage art. His storytelling ability, combined with classic realism, gives his work a timeless quality, drawing viewers into deeply moving moments of the past. With a focus on traditional techniques and emotional storytelling, Weistling's paintings are a testament to the beauty and strength of early American life.
crossing The Cheyenne River, Summer 1850 Artist Proof Limited Edition Canvas - GW00119CLE
NOTES: Fueled by hope, optimism and necessity, pioneers began to push beyond the Mississippi in earnest by the mid-1800s. Some of these emigrants went west in search of land, some in search of gold & silver and some, for religious freedom. Weistling's paintings of pioneer history capture the heart and soul of the frontier experience because he opens himself up to the unique human experiences and details what he observes while researching his work. "I actually traveled to South Dakota and assembled this crossing, like I was putting together a movie," Weistling explains. "I found a young lad who had his own oxen and he would bring them to the river when I had everything else in place. Once I witnessed this kid's amazing ability to make these oxen do whatever he wanted and saw him lead them through the river. "I knew my painting had found its hero." "This was a boy raised on the frontier just like the early pioneers I love to depict. And there he was, real and in front of me. The father knew he could trust his son to lead the oxen through the river while he pushed the wagon from the rear. This was something they had done many times previously, just as the pioneers. This painting honors the legacy of the pioneer toughness of our forefather's children as much as it does their own." Is it a source of pride for you that your ancestors braved the uncertainties and perils of the trails westward to achieve freedom and prosperity for themselves and future generations? Honor that rich legacy with a Fine Art Edition of Morgan Weistling’s "Crossing the Cheyenne River, Summer, 1850.". .
Crossing The Cheyenne River Summer 1850 Artist Proof by Morgan Weistling
image Copyright © 2025 by Morgan Weistling
Morgan Weistling bio
"Morgan Weistling began his artistic training on his father's lap at 19 months of age, where he learned how to draw and more importantly, use his imagination. Capitalizing on his father s talent for telling a story in comic strip form, Morgan began to develop a sense of narrative in his drawing. "It was here that art became a language for me." At the age of 12, Morgan applied his interest in art to studying his father s art books and began his art school studies at the Brandes Art Institute at 15. Working in a Los Angeles art supply store while attending art school, Morgan chanced to show his artwork to a prominent illustrator. As a result of their encounter, at the age of 19, Weistling found himself employed at a top movie poster agency in Hollywood. For the next 14 years, Morgan illustrated for every movie studio in Hollywood. His clients included Universal/Amblin Entertainment, Disney, MGM, Paramount, 20th Century Fox, Warner Brothers, Columbia Pictures and TriStar. In addition to movie posters, Weistling created all the cover artwork for the video series, McGee and Me for Focus on the Family and his art can be seen on numerous magazine, book, CD and video covers as well as Sega pinball machines. Since he has made fine art the focus of his art career, the collector demand for his originals has been overwhelming. With his masterful use of oils, Morgan Weistling brings a scene to life with spectacular lighting, creating a sense of wonder and engaging the viewer s imagination and emotion. His dreamlike images touch the viewer s heart, using more than sentimentality to engage the viewer. His canvases are filled with brushwork that tells a story beyond the subject matter. Like a skilled movie director, he manipulates the focus of interest with suggestions and impressions of forms that are barely realized and allow the viewer s imagination to fill in the details. "There is a story underneath the story of my paintings," Morgan adds, "I don t hide the process of how I painted it. You can see the layers and count the strokes it took to get there. With some styles of painting, the closer you get to the canvas, the more you will see. With mine, the more you step back, the more detail you will see. That s not easy, which is why it fascinates me." Morgan Weistling follows in the footsteps of the masters he admires, John Singer Sargent, Anders Zorn and Nicolai Fechin as well as many others. In all of his vibrant work, from western art to feminine forms, Weistling crafts a narrative, driven by clarity, focus and purpose, drawing on images inspired by his beliefs and scenes from daily life. "My hope is that people will enjoy viewing my artwork as much I enjoyed painting it. For me, art is my language used to communicate to others how I see God s creation. When I experience another artist s work, I love to see through their eyes and find out as much about the artist as the subject they painted. That is what makes art so interesting." Weistling, a highly sought-after teacher, conducts private workshops with juried students and teaches at the prestigious Scottsdale Artist School. Recent honors and awards include the Patron s Choice Award and the Trustees Purchase Award at the Autry Museum of Western Heritage in Los Angeles, CA, the Prix de West Purchase Award at the National Cowboy and Western Heritage Museum in Oklahoma City, OK, and the Patron's Choice Award at the Autry Museum of Western Heritage. Weistling's book, The Image of Christ, was a finalist for the Evangelical Christian Publishers Association Gold Medallion Book Award. Weistling and his artist wife JoAnn, whom he met in art school, have been married for 14 years. Their 9 year-old daughter is often a model in Weistling s paintings. They make their home in California. "
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