Editorial View
The Gallery's Perspective
There is a moment of hush in the crashing surf — the instant a steady hand meets a trembling one. The figure in white leans close, calm and sure, while the other reaches up through foaming water with a face that mixes urgency and relief. The painting’s deep, midnight blues and the pale sweep of the robe create a clear contrast between storm and shelter; wet, reflective highlights on skin and water make the rescue feel immediate and tactile. You can sense motion in the splash and the tight grip, yet the interaction itself reads as intimacy rather than spectacle. For someone drawn to images of reassurance or quiet courage, this work offers a direct emotional encounter: it’s less about dramatic action and more about a single, steady gesture that steadies a frightened hand. SEARCH_KEYWORDS: religious figurative art, man rescued from water, comforting gesture, Christ and Peter scene, inspirational religious print, calm amid storm, dramatic lighting, emotional rescue scene, giclee on canvas, serene religious imagery, faith and trust theme, detailed water realism
The Artwork
About Against the Wind Gallery Wrap
When Peter saw the Savior walking on the water he cried out, "Lord…bid me come unto thee."<br><br> "Come." was all He said.<br><br>Filled with faith, Peter stepped from the safety of the boat on to the stormy sea. But as the winds picked up and the waves grew stronger Peter’s faith turned to fear. As he began to sink, Peter cried out, "Lord, save me."<br><br>Two thousand years later, Christ is still calling to us. As we step from the safety of self-reliance on to the stormy seas of discipleship, like Peter we pray, "Lord, save me."<br><br>With perfect calmness He stills the winds of our doubt, reaches down from heaven and saves us.
Collector Details
What to Know About This Piece
Product-specific details, edition information, provenance, and special considerations are shown here when applicable.
About the Collection
Liz Lemon Swindle's figurative art captures the emotional expression and profound spiritual connection in contemporary portraiture. Known for her religious and Christian art, her paintings often explore themes of faith, family, and the human experience. Swindle's fine art portraits evoke deep emotional resonance, particularly through her poignant depictions of mother and child and spiritual portraiture. With a modern realism approach, her art is symbolic, telling powerful stories of love, hope, and faith. Her narrative art captures intimate moments that speak to universal truths, inviting viewers to reflect on their own connections to family, faith, and the deeper meaning of life. Swindle's work continues to inspire and uplift through its emotional depth and spiritual themes.
Image Rights
Image copyright © 2026 by Liz Lemon Swindle.
Authorized Source
Authenticity & Documentation
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Limited-edition artwork includes a Certificate of Authenticity when one is issued by the artist, publisher, studio, or authorized source. Open-edition pieces may not include a certificate; this does not affect their authenticity. The Collection Shop sources artwork through artists, publishers, authorized distributors, galleries, and other approved channels. Any additional documentation included with this specific piece will be noted above.
"Liz Lemon Swindle has a deep, abiding faith that she feels blessed to share
through her art. A lifelong Utah resident, she studied fine arts at Utah State
University. She worked for several years as a set designer and painter for the
Osmond Studios television production company. As her family grew (she and her
husband Jon Swindle today have five children), she saw the need for a more
flexible career and decided to focus on oil painting. In the early 1980s she
tutored under renowned wildlife artist Nancy Glazier and soon after established
her own impressive reputation as a wildlife painter, participating in shows at
major galleries in the central and western United States. However, Lemon
Swindle became increasingly discontent, feeling artistically and spiritually
unfulfilled. In October 1988 she reached a turning point when she submitted a
portrait of children to the National Arts for the Parks competition and
received the coveted Founders' Favorite award. She realized then that there
was an audience for her portrait painting and by the early 1990s she had
devoted herself to the topic closest to her heart: her faith. A one-woman
show of her Christian art traveled to cities nationwide in the summer of 1997
and a book of her paintings, ""She Shall Bring Forth a Son"" was published in
1998."
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