John Coleman Magic Hour
Status: In Stock Available | Condition: New | Edition:Limited Edition | Edition Size: Limited Edition 40 | Dim:20"w x 30"h | John Coleman| Item #: FAPMAGICHOUR
Price: $ 795.00 USD..
9/17/2025 $265.00 1st payment
10/17/2025 $265.00 2nd payment
11/16/2025 $265.00 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available
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John Coleman Magic Hour is eligible for 3 equal layaway payments in store, with a credit card of $265.00 made every 30 days over a period of three months. US & Canada orders only.
John Coleman's space art explores the vastness of the cosmos with cosmic paintings that capture the beauty of celestial landscapes and planetary scenes. His work merges sci-fi realism with a touch of abstraction, showcasing the awe-inspiring nature of cosmic exploration. Through his unique perspective, Coleman's art brings to life lunar landscapes, interstellar vistas, and alien worlds with striking realism and ethereal beauty. His cosmic paintings evoke a sense of mystery and wonder, drawing viewers into otherworldly realms that blur the lines between reality and imagination. Each piece encapsulates the majesty of space and the human fascination with the unknown, creating a visual experience that feels both intimate and infinite.
Magic Hour - FAPMAGICHOUR
NOTES: Magic Hour - Life on the Great Plains in the 1840s, though full of hardship, also had a romantic side. Native Americans saw their surroundings as both beautiful and mysterious. For me, this young Sioux woman caught in her dream exemplifies and captures this mood in the Magic Hour..
Magic Hour by John Coleman is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by John Coleman
John Coleman bio
"I like to tell stories in my work using metaphors that help explain who we are and from where we came. Creating an object means little to me unless I can portray an underlying emotion or analogy. Each piece tells a story in the three dimensional, a visual mythology written by my hands and spiritual imagination, somehow linking us to the past and bringing us to a greater understanding of our ancestors." John Coleman (b. 1949) was born in Southern California and began his early art studies at the Art Center for Design in Los Angeles. Sculpting full time since 1994, John was voted into professional membership of The National Sculpture Society of New York in 1999. John was brought into the Cowboy Artist of America in October 2001, and is a fellow member of the National Sculpture Society. He usually has six or seven works-in-progress at any one time, and will introduce four to five new editions each year.
