Joel Payne We're Going In Giclee On Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition of 95 | Dim:14" x 21" | Joel Payne| Item #: SW7674
Price: $ 350.00 USD..
9/16/2025 $116.67 1st payment
10/16/2025 $116.67 2nd payment
11/15/2025 $116.67 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available
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Joel Payne We're Going In Giclee On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $116.67 made every 30 days over a period of three months. US & Canada orders only.
Joel Payne is a Disney fine artist, concept artist, and entertainment industry illustrator, known for his believable fantasy art that merges traditional oil painting with digital techniques. With over 30 years in the industry, Payne has contributed to theme park design, video game art direction, and cinematic storytelling, collaborating with Disney Imagineers and other major studios. As a Corel Painter Master, his work blends digital and traditional media to create immersive fantasy landscapes. His collectible fine art prints continue to captivate collectors, showcasing his visionary approach to fantasy and entertainment art.
We're Going In - SW7674
NOTES: Artwork inspired by Star Wars: The Force Awakens featuring the Millennium Falcon .
We're Going In Giclee On Canvas by Joel Payne is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Joel Payne
Joel Payne bio
A native Californian, Joel Christopher Payne's story starts with a life changing moment at the age four that would change the course of his life forever. Joel tells us, "My earliest memory that inspired my career came when I was riding on the Pirates of the Caribbean ride and I looked up to my mom and said, Look Mom! Look how real the robots are!! At which point my mother without hesitation replied , -son, those are the waiters at the Blue Bayou... You'd think I was destroyed... but it was in that moment that I realized just how amazing Walt Disney really was. I couldn't tell difference between the fantasy and the real thing and I knew that I wanted to learn how to harness this kind of unique magic!" Disneyland and Disney feature animation would ignited a lifelong passion in Joel that would lead him to inspire others through his own style of breakthrough art. While Payne didn't have any formal artistic training, at age 20, he would embark on a 22 year career that would be forge through the fires of on-the-job experience. "When I started doing digital art, computers could only handle 16 colors!" His passion would bring him to design elaborate worlds for 3D TV shows, Triple "A" video games, and multiple virtual reality rides. Industry training required perseverance in acquiring the skills and discipline that would prove to serve him well in future endeavors on his path to artistic freedom. In 1993, Joel's big break would come from a company called 'New World Computing' a game company known for the popular "Might and Magic" Series. His talents were manifested in the service of building the worlds for six videos games over the next several years. His very first game project "Heroes of Might and Magic" became critically acclaimed and is currently on it's 7th sequel. In 1995 Joel would become one of the youngest video game directors pioneering techniques is Digital Set creation three years before Robert Stromberg would coin the phrase "Digital Backlot." In 1996, Joel finally got his chance to work with Disney on "Disney's Virtual Jungle Cruise" ride still in operation in Florida's Disneyquest. Responsible for creating the rides river rafting track and 3D backgrounds, Payne learned from Disney Imagineers about the power of storytelling, color and lighting techniques that he still uses in his paintings today. From 1996 to present day, Joel would go on to build 3D worlds for Steven Spielberg's "Sky Pirates", Art Directing Disney's Atlantis the video game, Mortal Kombat:Shaolin Monks, Max Steel and Star Ship Troopers:Roughnecks, Silent Hill:Homecoming and Baldur's Gate:Dark Alliance. He would also score film music for world renown Stan Winston. In 2008 Joel would head up Universal Studios very first virtual version of their world famous Backlot facades creating digital doubles of the famous "Back to the future courtyard" and in 2009 Joel's company Digital Backlot would design 75 original 3D characters for the project Growums. Featured on the show "The View" Joel not only animated the growums characters, but like Walt, voiced several of the lead characters to the tune of more than 100 cartoons. In 2011 Payne began in earnest his dreams of pursuing a fine art career. With inspiration and influence from his Disney and entertainment pedigree. Joel Payne has a new found energy and dedication for his inventive new form of mixed media artwork dubbed "Believable Fantasy" a hybrid of 3D modeling and traditional oil painting techniques. His original painting technique creates a level of depth, color, lighting and detail that has collectors asking how it was achieved. Taking cues from artists like Norman Rockwell and Thomas Kinkade, Joel blurs the line between the real and fantastic. When asked about his latest works Joel said, 'Every painting that I do, I want to have the word "WOW" be the thing the viewer expresses most because this is what I felt about Disneyland as a little boy. I want folks to walk by my artwork and fall into it, live in it and escape for a while. I think this is why I began creating this type of magic in the first place, to make the illusion as believable as possible so that I could inspire others to live the magic Walt created in my life"
