Woman In Red
$1,500.00
Editorial View
The Gallery's Perspective
A single reaching gesture gives this sculpture its quiet power. Here, a strong, shirtless figure leans across a smooth, arching form to extend his hand toward another hand rising from below. The careful modeling of muscle and the elongated reach create a feeling of effort met with tenderness—an action that reads as help, connection, or responsibility without spelling out a single story. The warm, bronze-like finish and the sculpture’s clean, curving base emphasize an elegant simplicity: nothing distracts from the hands and the space between them. That empty interval becomes the work’s emotional center, suggesting both the possibility of rescue and the delicate moment of choice. Placed where family and friends gather, it works as a gentle reminder about care, solidarity, and the small gestures that bind people together.
The Artwork
About He Ain't Heavy - Hand Signed By Gilbert Young
He Ain't Heavy - He Ain't Heavy - Hand Signed By Gilbert Young
He Ain't Heavy - The Sculpture
He Ain't Heavy is now a beautiful, thought-provoking and behavior challenging sculpture.
Imagine the gentle, elegant reminders it will give you as it sits on your desk, mantle or bookshelf.
Imagine the conversations you'll have about its' meaning when visitors notice it.
Imagine the kind of message it will convey to your children and grandchildren.
Imagine the impact it will have as a gift or award to someone who embodies its' message.
Yes... He Ain't Heavy is beautiful and striking. But it isn't meant to be just another decorative accessory.
It's meant to make a statement.
And, having made it, it's meant to serve as a catalyst for you to have the kinds of conversations and connections that will make this world a better place for us all.
Each He Ain't Heavy comes with a special plate that has your Issue and edition number
Material is Resin.
Collector Details
What to Know About This Piece
Product-specific details, edition information, provenance, and special considerations are shown here when applicable.
About the Collection
Gilbert Young is a renowned African American artist, muralist, and art conservator whose work profoundly captures the African American experience. His iconic painting, He Ain't Heavy, exemplifies his commitment to figurative realism and serves as a powerful piece of social commentary. Beyond his studio work, Young has made significant contributions as a community activist, creating impactful public murals that celebrate cultural heritage and address pertinent social issues. His art not only reflects the richness of African American culture but also inspires dialogue and understanding within the broader community.
Artist Signature
Signed and documented
This piece is signed by the artist and includes a Certificate of Authenticity.
Image Rights
Image copyright © 2026 by Gilbert Young.
Authorized Source
Authenticity & Documentation
Buy with confidence
Limited-edition artwork includes a Certificate of Authenticity when one is issued by the artist, publisher, studio, or authorized source. Open-edition pieces may not include a certificate; this does not affect their authenticity. The Collection Shop sources artwork through artists, publishers, authorized distributors, galleries, and other approved channels. Any additional documentation included with this specific piece will be noted above.
Gilbert Young's support of various community activities and events in his native town of Cincinnati, Ohio spans over two decades. He was active there in both the artistic and scholastic arenas. Young served as Director and Conservator of the Fine Arts Collection for the University of Cincinnati for twenty-six years. He also served as Artist-in Residence for the University in 1994-1995.
Dating back to 1975, this multi-talented, multi-faceted, internationally known artist has lent the use of his images and time to many community projects and organizations. Young served as a consultant to the Harriet Beecher Stowe House Project, a renovation and restoration project for the Harriet Beecher Stowe house, creating a cultural arts center for the visual and performing arts in Cincinnati. In 1991, when the Cincinnati branch of the National Council of Negro Women hosted its first "Black Family Reunion", Gilbert was asked to provide the image that would become the official poster of the event. He also lent the use of his image, "Inside Daddy's World" , to The Black Male Coalition of Greater Cincinnati, Inc. in 1995 as the cover of their brochure and one of his most profound works, a commissioned portrait of civil rights leader Dr. martin Luther King hangs in the lobby of University Hospital.
Personal Gallery Assistance
Questions before adding this piece to your collection?
We are happy to help with availability, shipping, edition details, or purchasing questions.