Don Demers Working Through a Fog, East River, NYC Giclee On Canvas
Status: In Stock Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition: 45 pcs | Dim:24 X 20 | Don Demers| Item #: GWEASTRIVER
Price: $ 395.00 USD..
9/17/2025 $131.67 1st payment
10/17/2025 $131.67 2nd payment
11/16/2025 $131.67 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Don Demers Working Through a Fog, East River, NYC Giclee On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $131.67 made every 30 days over a period of three months. US & Canada orders only.
Don Demers is a renowned American marine artist celebrated for his captivating maritime paintings and seascapes. Born in 1956 in Lunenburg, Massachusetts, Demers developed an early passion for nautical subjects during summers spent along the Maine coast. His extensive experience as a crew member aboard traditional sailing vessels, including schooners and square-riggers, deeply informs his work, bringing authenticity to his depictions of the sea. Demers' artistic journey began in illustration, with his work featured in publications such as National Geographic and Sail Magazine. Transitioning to fine art, he has become a prominent figure in plein air painting, capturing coastal landscapes with remarkable realism. His paintings are highly sought after, with fine art prints available through select galleries. Demers is a "Fellow" of the American Society of Marine Artists and an elected member of the Guild of Boston Artists, reflecting his significant contributions to American art.
Working Through a Fog, East River, NYC - GWEASTRIVER
NOTES: The completion of the Erie Canal in 1825 all but sealed New York Harbor"s destiny as the most important port in North America. Ships from around the world called on the port 365-days a year and the business of piloting these vessels into the harbor was profitable and competitive. The pilot schooner fleet"s boats were handsome, heavily-sparred vessels that raced each other to incoming ships for the right to pilot them in. The most well known of these, the "America," was the fastest vessel of her day and the namesake of the America"s Cup The "Joseph Pulitzer" was built for Mr. Pulitzer as an ocean racer and was one of 22 such schooners operating out of New York Harbor in 1894. Ever since its completion in 1883, the Brooklyn Bridge with its epic proportions and grand design, was the background against which life on Fulton Street and the East River played. Demers' "Working Through a Fog, East River, NYC" embraces the waterfront"s moody atmosphere and the convergence of the eras of steel, steam and sail. All that is missing from this gorgeous Fine Art Edition Canvas are the sounds of steam whistles wafting across the water and the warm moist smell of salt in the air..
Working Through a Fog, East River, NYC Giclee On Canvas by Don Demers is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Don Demers
Don Demers bio
Mr. Demers was born in 1956, in the small, rural community of Lunenburg, Massachusetts. His interest in painting maritime subjects began while spending his summers on the coast of Maine near Boothbay Harbor. After finishing an exemplary high school art program, he furthered his education at the School of the Worcester Art Museum, Worcester, MA, and the Massachusetts College of Art in Boston, MA. Don s maritime experience came about as a crewmember aboard many traditional sailing vessels including schooners and square-riggers. He continues to be an avid sailor. His professional career began as an illustrator and expanded into the field of fine art. His illustrations can be found on many book covers and in national publications such asReader s Digest, Sail Magazine, Field & Stream, Sports Afield,Yankee, and National Geographic. Demers paintings have been featured in a number of publications including American Artist magazine, Artist magazine, Plein Air magazine, Fine Art Connoisseur , Art and Antiques, Yachtingmagazine, Nautical Quarterly, Nautical World, Offshore magazine, and Maine Boats and Harbors. His work has also been featured and discussed in a number of texts including Concordia Yawls, The First Fifty Years, by Elizabeth Meyer, Marine Painting and Yachts on Canvas, both authored by James Taylor, of Greenwich, England. Yacht Portraits published by Sheridan House, A Gallery of Marine Art, Rockport Publishers, an instructional textbook titled Marine Painting, Techniques of Modern Masterspublished by Watson Guptill and Bound for Blue Water written by J. Russell Jinishian and published by Greenwich Workshop. Demers diversity has enabled him to apply his skills to clients ranging from American Airlines to the National Park Service. Various projects have included creating art for national television advertisements, educational television programming and designing art glass for Steuben. Demers body of work has expanded to the study and creation of landscape painting. These works are created from subjects across the country and beyond, often in consort with other artists of similar inspiration. His landscape work has garnered him two awards at the Laguna Plein Air Invitational in Laguna Beach, California in 2001 and 2002. He has also received an award for his painting at the 2007 Crystal Cove Invitational sponsored by the Irvine Museum in Orange County, CA. Demers is a "Fellow" of the American Society of Marine Artists, an elected member of the Guild of Boston Artists, an elected member of the California Art Club, and a signature member of PAPA (Plein Air Painters of America). He has won a record seventeen awards at the Mystic International Marine Art Exhibition, Mystic, CT. including the Rudolph J. Schaefer Maritime Heritage Award in 2006. Demers illustrations have been recognized by the Museum of American Illustration four times in their national competition representing the finest examples of work in the field. Recognized for his communication skills, Don conducts workshops for artists as well as producing instructional DVDs. He also lectures on his landscape and marine art. His audiences include museums, art associations, yacht clubs, historical societies and educational institutions.
